Hey, kids! I thought I'd share with y'all something rather embarrassing: my very first video created, ever (well...except for those VHS recordings I created in middle school of my Ed Grimley impersonation. Fingers crossed those never surface). I first began working with AOE back in 2013 for their online conferences. I used a GoPro camera (which is not exactly known for it's high quality sound, as you'll see) and paid a former student $20 to teach me how to use iMovie (thank you, Griff!). I've learned a whole lot since then...but we all start somewhere. Despite the poor sound quality and the fishbowl effect, I do still believe in the ideas I shared in that presentation. So I've dusted it off and popped it up for y'all to view:
I'm sharing this today for a couple of reasons: I'll be presenting with AOE again this winter on, of all things, video recording! I know showing video instruction is hot in the art rooms right now (it's commonly referred to as "flipped instruction" but edu-buzz words make my skin crawl) and I use them all the time with my students. In fact, you can keep up to date with them by subscribing to my YouTube channel. But lately I've been thinking of ways of taking my recordings one step further: by interviewing artists, acting out proper clean up procedures with colleagues and more. In my presentation this winter, I'll be chatting with you about ways to go beyond videoed instruction even if you've never recorded a single lesson. I'm so excited! If you apply for the Winter 2017 AOE Conference before December 1st, you'll qualify for the early bird price of $99. Also...if you use the code SAVE10WITHCASSIE, you'll get an extra 10% off! Yippie skippie, y'all! Here are somethings I love about the AOE online conferences: The After Pass. I don't usually have the entire day to spend watching the presentations. I like knowing that I can watch a little, take a break and then finish them off at a later date. The Handouts. Who doesn't love a good handout, right?! From lessons plans to supply lists, the handouts have it all. The Chance to Chat. One thing I do love is the opportunity to talk with teachers all over THE WORLD! That is seriously my favorite part. The conversations I engage in and ideas that are shared add a whole 'nuther later of awesome to the conference. So! I hope to "see" y'all there!
Oh! Speaking of coming a long way...here is a video I created last spring about creating videos. Wish I woulda known then what I know now. Oh well, such is life, y'all!
Since I'm hanging with AOE this week and sharing some tips and tricks, I thought I'd bypass on my usual Wednesday Art Teacherin' 101. Because, let's be honest, a little of me goes a very, VERY long way. So, let's talk about this cafeteria style routine I'm sharing. I wrote about it a while back in this here blog post and go into a little more depth on the why's and how's of this method. I don't do this every art class but with my 30 minute sessions, it really helps cut down on movin' around time and allows us more time to create. And, after all, that's what we're there for! While in the hallway, I'll usually give them their "shopping list" of supplies to gather. So that they don't leave anything off their list, I'll usually have them do a call and response which I chat about here:
Once in the room, the kids move quickly to place their supplies on their tables, write their name and class code and meet me on the floor. It helps to have music playing as they do so or even a short video. I like to have something going on my big screen telly as it gets them excited to move quickly and join me on the floor. Also, short fun songs and videos give them a glimpse as to what they'll be learning that day. In an upcoming blog post, I'll share with you some of my very favorite art teacherin' videos to play for my students. By the way, here is a video tour of my art room I created for my younger students...
When I give instruction, I always have my kids gather on the floor, away from their supplies. I do this for a couple of reasons: it removes any distractions for the kids and allows them to focus. It also gives us a cozy feel. I don't have carpet on my floor (I love the look of carpet but I really am not a fan. To me they are like big sponges for germs to gather) and I've never had a child complain about sitting on the floor. Once the directions are given, the kids are free to head back to their seats and dive right in.
In other news, if you need a tool to help you manage your time with your students, I really love my Time Timer! I hope that is helpful for you. What have you found to be the best way to have your students gather their supplies? I know I've tried giving the kids jobs and they are wonderful at it...it's just that their art teacher (ahem) is miserable at remembering routines. We do what works for us, right?!
How you start your art class sets the tone for your art teacherin' day. Lemme chat with y'all about what I have found to be the most successful ways to start art off right. A Greeting: Okay. Y'all know that if you let them, your kids will walk into your art room saying the following: I like your hair; I like your shoes; I lost my tooth; My grandma is visiting; It's my birthday!; Yesterday was my birthday!; (and, my personal fave) WHAT ARE WE DOING TODAY?! I like to divert this practice of holding 20 individual conversations by starting the class with a greeting. 'Hello, my most amazing artists!' is my favorite. It works for me and it eliminates the chance of me getting sucked into long winded chats. A Minute to Prep: I like to give myself a minute to grab the supplies I'll need for a lesson. Sometimes that means I'll have a "teacher" sit in my chair and chat with the kids about art. Another way I like to do that is with a short video created either by me or found online. This gives all my students a chance to settle in quietly. Tape on the Floor: The tape on the floor is a gift sent from art teacherin' heaven. I don't have a carpet (I'm not a fan of 'em even though they are pretty) so the kids don't know where to sit. Tape helps guide them in quickly to take a seat. Happy/Sad Board: Y'all, I'm the worst about being consistent but my happy/sad board is something I can handle...and I'll often have the kids handle it! I talk about it in my very first Art Teacherin' 101:
These little things like a greeting, a minute to catch my breath by having a "substitute teacher" in my chair, tape on the floor and the Happy/Sad board make a big difference when it comes to starting my art class off right. What do y'all do at the start of art to set the tone? Oh! And I did mention the Smartest Artist, more details here.
These here Zombie Head Planters are the ugliest things I've ever made and I really couldn't be happier. Weird? Yes. Okay with that? Totes.
I mean, you gotta have respect for something that finds brains appetizing, y'all.
So I got the idea to create these Zombie Head Planters last week after I wrapped up my last Celluclay creation. I STILL had half a bag left of the stuff (a little goes a long way...and even with these guys and the pumpkins, I still have some left over) so I actually have another project I'd love to do...but more on that later.
Let's talk about the brainz-eaters at hand, shall we?
Over the summer, I picked up these little plastic planters from Target with the grand idea that I'd plant herbs in them or something. That didn't happen and so six of these dudes were sitting around collecting dust. I had been using them to prop up my pumpkin heads as I worked on them...which gave me the idea to create these.
Need a review on how simple it is to work with Celluclay? Here you go!
Originally, I was just going to make the heads but I really liked the idea of the zombies having a body as well. So I used the upturned pottery for that.
Again, I didn't sand the plastic or prep it in any way. The clay did take longer to dry this time as the weather is now cooler. So I put them in front of a fan overnight and they were dry the next day. They've yet to crack or flake off which is great. They are rock solid once painted and Modpodged.
Painting was easy. I just picked a dark green color to paint everything, put them in front of the fan and started to dry brush on lighter colors. With a smaller brush, I added details. But, really, the painting is the easiest part. The surface of the Celluclay is perfect for zombies...who knew?!
My original idea was to have herbs in the planters but let's get real: I have a black thumb. So I shopped the heavily marked down fall floral isle of my local craft store and picked up what I thought would look good as hair and brain matter. I'm sure that's what everyone looks for in the floral isle, right?
True fact: I am no floral designer nor do I pretend to be. I seriously just used those floral foam thingies, hot glued some moss on that and stuck in some flowers.
Side note: hot glue and styrofoam don't play well together. The hot glue melted the foam and, um, that was fun. I was watching Project Runway so I channeled my inner Tim Gunn and I made it work (which for me always means: ADD MORE HOT GLUE!).
And I'm kinda sorta thrilled with how they turned out! With faces only a mother could love.
It's funny, whenever I'm tasked with creating something at a PD or otherwise, I ALWAYS make this lady. Sassy retro mama with a gnarly expression and usually a cigarette dangling from her lips. I think she's my spirit animal.
This is my tribute to Gene Wilder's character in Young Frankenstein...note the hair. Of course, I had to zombie-ize him. I love how the moss looks like brains.
P.S. these will NOT be on display in our bedroom. Their eyes seriously do follow you everywhere.
Don't tell the others but this one is my favorite. It reminds me of Beetlejuice...which is super duper in my book.
Now off to find just the perfect place in my house for these lovelies. Love to hear from you if you've worked with Celluclay and what you've created. You can comment below or shoot me an email. In the meantime, steer clear of the brain-eaters, y'all!
In last week's 101, we chatted about saying NO to requests for your time, your talents and your art supplies. I received so much feedback from y'all in the comments and in emails that I realized I'd touched a nerve. We all feel so much pressure to be agreeable and generous, as it's our nature. However, it's not fair when our kindness is taken advantage of. Many of you asked: what do I do when the request is coming from a superior? How do I say no when I feel pressured? I'm a new teacher, should I really say no? These conversations took me back to my early teaching years. I don't know if it was the fact that I was new, young and/or relatively agreeable (I'm a recovering passive-agressive) but when requests came in for my time, talents and supplies, it was often under the guise of "do this cuz I said so." What I didn't realize was that I was dealing with bullies. I'll give you an example: when I first started teaching in my school district, I was told I "had" to do a project with my students simply because the other art teachers in my district were doing it. I didn't agree with the project, didn't think it was a wise use of my time or my students' art education, so I said no. Unfortunately, bullies don't like to be told no. Rumors spread that I was uncooperative and that landed me in the hot seat with my (now former) principal. From there, I was bullied by my administration to acquiesce. And I caved. What was the result? Well, for a long time, my administration and art ed colleagues thought I would do what I was "told" to do. And I did for entirely too long. Finally, one day, I decided to remove those bullies from their pedestal. I started listening to myself, the needs of my students and my time. And I started saying no. It's not been easy. Since then, I've battled unpleasant comments, eye rolling at meetings and one very nasty email (that my current administration handled beautifully). And you know what? It doesn't bother me. When I took away the power from the bullies, it was like a weight lifted off my shoulders. I could breathe. And I could also focus on what I knew to be important to me and my students. It's interesting how we address bullies so much with our students but not as adults. Bullies never grow up. As long as folks give them power, you'll find them trolling online, in your workplace and, shoot, at the grocery store! Kick that pedestal out from underneath them. Reflect, listen to your gut, do what you know to be right and follow that path. From there, you can't go wrong. Love y'all!
When you've been around the blogging block as many times as I have (ahem), you start to accumulate a whole lotta posts. Add that to the fact that I'm a big time lover of all things fall and you've got yourself an online encyclopedia of autumn'ness. So I thought I'd put all of my fave ones into a pot, mix it all up and share it in a nice fall-y stew for y'all. Pumpkin spice flavored, of course. One thing el hubbo and I love to do during the fall is attend a lil something called Halloween Horror Nights at Universal Studios (I've chatted about it most recently here). That means I do a lotta mobile crafting. The above fall-themed embroidered blouse was one of those crafts I did on the plane. I'm always surprised when I get busted at the airport for a couple extra ounces of contact solution but never my needles and scissors. But whateves.
Speaking of Halloween Horror Nights, here's a sneak peak. Looks like...fun, right?! We've been going for years so it takes a lot to spook us now. But I do have a soft spot for crazy-eyed, chain-saw wielding homicidal maniacs. Call me crazy. My Walking Dead-inspired 1950's dress is always fun to wear.
Y'all know that my love for vintage runs deep...and that goes for all things Halloween as well. The old horror movies are my jam (Hitchcock's The Birds is my all time fave movie) so when I found this fun fabric with cartoon-y characters from horror flicks on it, I knew I had to make a dress...and a needle felted sweater to match.
I had so much fun painting The Bride, Busted last fall. It really reminded me just how much I love to paint. It truly was a test in color mixing as creating that variety of values was not easy. Lil known fact: I actually graduated college with a double degree: one in painting and the other in art education. I don't paint all that much...but I just might have to create another one of these with another villianess busted. I'm open to suggestions! By the way, this print is available for sale here.
Speaking of vintage horror films, the fabric on this dress is full of 'em! So much fun inspiration on one piece of fabric. I've been itching to recreate large paintings based on old horror movies as well. I need more hours in my day!
Last year, I really got inspired by vintage Halloween decor, especially black cats. I transformed this lacy jacket with my Naughty Kitty Club design. Current number of members: 1.
The cat made another appearance this year in the form of these vintage Halloween trick or treat buckets. I really can't stop laughing at these crazy guys. I so wanna make more of these, they were so fun and easy to create!
The vintage buckets were made with Celluclay...and the little pumpkin puppet above was created with paper clay. I love exploring different types of clays from the craft store. Each has it's own unique consistency and texture.
Fall also means needle felting time in my world. There is something super cozy about bundling up with a blanket, breaking out the wool roving and stabbing something repeatedly (uhhh). The eyeballs I needle felted onto these Target pants are always fun to wear. Haunted Mansion knickers, anyone?
After a while, the colors of fall start to bring me down a pinch. So I love that I can brighten my wardrobe and my decor with a punch of el Dia de los Muertos. Check out these painted planters.
And this here dress. You can find so much fun Day of the Dead-inspired fabrics at the craft stores and online right now!
In fact, that's where this fabric came from, Joann's. Minus the rainbow of pom poms, I added those.
I love having buddies over for craft nights. Last year, we created these Day of the Dead heads!
Every year, when fall approaches and the light begins to change, I get this urge to create. Often times that results in a Halloween-inspired dress, needle felted sweater or painting (stay tuned for a big ole blog post with all my fave fall crafts!). This year, I was inspired to create these wannabe vintage Halloween trick or treat buckets!
I got the idea from a shop I happened by one morning. They had these sweet little papier mache treat buckets on display in their window that were more than likely made in a land far, far away. I immediately wanted to duck into the shop and scoop them all up but the nearly $40 price tag kept me away. Then I got the idea: I'd just hit up the thrift store on the way home, pick up some plastic trick or treat containers and make my own.
Here's how, y'all!
I found three of these at my local thrift store in various sizes. I happened to have a couple bags of Celluclay that had been in my school storage closet for almost as long as I've been there.
I had one of the big bags...and as you can see in the video I'v hardly put a dent in the thing. A little goes a long way. What I love about the clay as opposed to papier mache is that it goes on so much faster and doesn't have the texture of elephant snot. So there's that.
Here's the making of the cat. I knew I wanted ears so for him, I simply hot glued some tag board ears to the top.
I had a wee big of a battle with the handle but I made it work.
Surprisingly, the tag board was able to withstand the weight of the clay.
Covering the pumpkins was the first step. It seemed to take forever and was not my fave. I was ready to dive into the face-making part!
So much fun. I drew a lot of inspiration from a "vintage Halloween" google search. That lead me to this incredible artist Johanna Parker who I'm currently a huge fan of!
It was nearly 90 degrees the day I set these guys outside which worked out perfectly as they were dry in no time. This winter, when I experimented with the clay, it took up to a week to dry and did mold a bit on the bottom because I forgot to rotate the clay project. So, not only do I suffer from Cellu-Lung but also Cellu-Mold neither of which my insurance covers. Of course.
The surface was rough but not difficult to paint. I do think kids would struggle as it is def not the easiest surface if you are trying to paint neatly. I rather dug the texture though as it meant I could play around with layers of paint and depth.
I think painting the white pumpkin was my favorite. I started by painting it completely orange then layering the white on top with a dry brush.
After painting the details of the face, I went back and added the line on the pumpkin in orange and a dry brush of light orange and yellow. Once they were dry, I went over each with satin ModPodge to add just a hint of shine. I really can't decide if these pumpkins are ugly or cute. I'm going with ugly cute. Regardless, they will not be on display in our bedroom as I can't have that creeper staring at my when I'm trying to sleep.
Ugh. I kinda wanna make more! My fall break is quickly approaching, I just might have to!
If you follow me here, I know you've seen me sharing the process like crazy. I'd love to know if you give this a go!
Not gonna lie, this one's my fave.
But this one is a close second!
Next up on the fall crafterin' agenda: a Black Cat dress and a EYEBALL sweater, eek! I can't wait. Til then, y'all!
