The hardest part about creating these postcards...was not having a drawing of the image created beforehand. I didn't draw on the felt or work from a sketch, I just went for it. Sometimes this was frustrating as I had to (gently) tear out what I didn't like. For the most part, working without a script, so to speak, was pretty dang freeing. It felt like painting. I think that's why I enjoy felting so much. It takes me back to my painting days...but it is a medium that I find much easier to work with than watercolor or oil paint.
I asked mom many times what her favorite part of our trip was. We both have had a hard time answering that question! For me, one of my fave days was our bike ride thru Tuscany to visit a couple of vineyards and stop for a traditional Tuscan lunch. It was magical and a day I definitely wanted to capture on a needle felted postcard.
To give the sunflowers a more 3-dimensional look, I didn't needle felt them entirely so they were raised up a pinch.
One daily question while in Italy was, "Where should we watch the sunset tonight?" The sunset it late, close to 9pm so we usually tried to be somewhere magical every evening to catch a breathtaking view. On our last night in Rome, that meant the top of the Alter of the Fatherland. I loved the silhouette of the statues even more than the view!
For a couple of Euro, we took a glass elevator that was packed with tired tourists toting bottles of wine and cameras.
With paint, colors tend to mix...with roving, you can layer many colors and it takes on an atmospheric look that I love.
I have never worked this small with needle felting before...it can be tedious. I have a tendency to over work images (which is what I think I was doing with the image of Venice below) so I always have to take a break, step back and look at what I'm creating from a distance. Anyone else like this?
Gondola man just about did me in. At first I was hesitant to put a gondola in the image as it seemed rather cliche...but there are literally gondolas EVERYWHERE in Venice, it's no exaggeration. And the light between the buildings really is that beautiful. Venice has this magical ability to be "postcard ready" everywhere you look. One person I met referred to it as being like Disney. She's right. Except Disney would charge you a small fortune to get on the island and require you to have a magical tracking band to get to the front of the line at St. Mark's Basilica...which is actually a really great idea. But I digress.
I've already started on a fourth postcard...I just can't stop. I'll be certain to share those with you when they are complete.
Until then, I need to figure out how to display these bad boys. Small frames? Large frame/large mat? A frame that can hold multiple images?
Until I get that figured out, y'all have a wonderful day and we'll chat real soon!