Ciao! Last Thursday, my mama and I returned from a whirlwind trip to Italy...photo and video heavy blog post to come. Over the past weekend, as I was scrolling through my endless photos of Rome, Florence and Venice, I decided to recreate some of my favorite memories in the form of postcard-sized needle felt. It was super simple to do...although, like all needle felting projects, it is time consuming. However, I love to sit, relax, watch something that doesn't require too much focus (anyone else watching Glow right now and having 80's flashbacks?!) and create. So needle felted postcards it is!
After sharing these on my IG, I got handful of questions about how these were made. So I filmed the process and slapped it together in this video. I hope it answers your questions...but if not, feel free to drop me a line in the comments!
The hardest part about creating these postcards...was not having a drawing of the image created beforehand. I didn't draw on the felt or work from a sketch, I just went for it. Sometimes this was frustrating as I had to (gently) tear out what I didn't like. For the most part, working without a script, so to speak, was pretty dang freeing. It felt like painting. I think that's why I enjoy felting so much. It takes me back to my painting days...but it is a medium that I find much easier to work with than watercolor or oil paint.
I asked mom many times what her favorite part of our trip was. We both have had a hard time answering that question! For me, one of my fave days was our bike ride thru Tuscany to visit a couple of vineyards and stop for a traditional Tuscan lunch. It was magical and a day I definitely wanted to capture on a needle felted postcard.
To give the sunflowers a more 3-dimensional look, I didn't needle felt them entirely so they were raised up a pinch.
One daily question while in Italy was, "Where should we watch the sunset tonight?" The sunset it late, close to 9pm so we usually tried to be somewhere magical every evening to catch a breathtaking view. On our last night in Rome, that meant the top of the Alter of the Fatherland. I loved the silhouette of the statues even more than the view!
For a couple of Euro, we took a glass elevator that was packed with tired tourists toting bottles of wine and cameras.
With paint, colors tend to mix...with roving, you can layer many colors and it takes on an atmospheric look that I love.
Venice has this magical ability to be "postcard ready" everywhere you look. One person I met referred to it as being like Disney. She's right. Except Disney would charge you a small fortune to get on the island and require you to have a magical tracking band to get to the front of the line at St. Mark's Basilica...which is actually a really great idea. But I digress.
I've already started on a fourth postcard...I just can't stop. I'll be certain to share those with you when they are complete.
Until then, I need to figure out how to display these bad boys. Small frames? Large frame/large mat? A frame that can hold multiple images?
The hardest part about creating these postcards...was not having a drawing of the image created beforehand. I didn't draw on the felt or work from a sketch, I just went for it. Sometimes this was frustrating as I had to (gently) tear out what I didn't like. For the most part, working without a script, so to speak, was pretty dang freeing. It felt like painting. I think that's why I enjoy felting so much. It takes me back to my painting days...but it is a medium that I find much easier to work with than watercolor or oil paint.
I asked mom many times what her favorite part of our trip was. We both have had a hard time answering that question! For me, one of my fave days was our bike ride thru Tuscany to visit a couple of vineyards and stop for a traditional Tuscan lunch. It was magical and a day I definitely wanted to capture on a needle felted postcard.
To give the sunflowers a more 3-dimensional look, I didn't needle felt them entirely so they were raised up a pinch.
One daily question while in Italy was, "Where should we watch the sunset tonight?" The sunset it late, close to 9pm so we usually tried to be somewhere magical every evening to catch a breathtaking view. On our last night in Rome, that meant the top of the Alter of the Fatherland. I loved the silhouette of the statues even more than the view!
For a couple of Euro, we took a glass elevator that was packed with tired tourists toting bottles of wine and cameras.
With paint, colors tend to mix...with roving, you can layer many colors and it takes on an atmospheric look that I love.
I have never worked this small with needle felting before...it can be tedious. I have a tendency to over work images (which is what I think I was doing with the image of Venice below) so I always have to take a break, step back and look at what I'm creating from a distance. Anyone else like this?
Gondola man just about did me in. At first I was hesitant to put a gondola in the image as it seemed rather cliche...but there are literally gondolas EVERYWHERE in Venice, it's no exaggeration. And the light between the buildings really is that beautiful. Venice has this magical ability to be "postcard ready" everywhere you look. One person I met referred to it as being like Disney. She's right. Except Disney would charge you a small fortune to get on the island and require you to have a magical tracking band to get to the front of the line at St. Mark's Basilica...which is actually a really great idea. But I digress.
I've already started on a fourth postcard...I just can't stop. I'll be certain to share those with you when they are complete.
Until then, I need to figure out how to display these bad boys. Small frames? Large frame/large mat? A frame that can hold multiple images?
Until I get that figured out, y'all have a wonderful day and we'll chat real soon!