DIY: A Clay Faux-saic for the Kiln-less

 You know, there are many perks to being an art teacher. Let us count the ways, shall we? 

1. You never have to clean your room. When my art room is looking totes disastrous (which would be any day that ends in "y", ya'll, let's be honest) and a classroom teacher happens to pop in my room, I'll catch her doin' a horrified glance at my dingy tables and crusty countertops (as she slow-gulps and thinks "oh gawd, how can I get outta here before whatever is on her hands gets on my sweater set?!"), I always do the same ole "My room is such a mess today [notice I said "today" as if it's not a daily thing], I should really clean!" song and dance.  It's then that the scarred-for-life classroom teacher says the most magical words in all of art teacher land : It's an Art Room! It's supposed to look this way [spoken whilst looking for the nearest exit].

2. You got a free pass to Freak-a-Zoid. Not only do you never have to clean your room when you're an art teacher but you totes have a free pass to let that freak flag fly. Shoot, if you're doin' right, you're way beyond freak flag and have entered full-tilt bat-sh$$ crazy. Crayon shoes? Check. Sushi headband? Checkity-check. Light up dress? You mean there are other types of dresses?! Triple-check. Your freak flag just spontaneously combusted. 

3. Your professional development hours don't include Common Snore, er, Core. Naw, man! You're the art teacher! Which means you get to spend the day hangin' with other like-minded, messy-art-room, freak-flag-flying chums who get you AND, added bonus, you make stuff. Which is exactly what I spent my Saturday doin', ya'll. Makin' this here Clay Faux-saic for the Kiln-less.

It was so super easy I bet even a class room teacher could do it (you know I'm just kidding, class room teachers! This is way over your sweater-set-wearin' heads,). For this easy breezy project, you'll need to russell up the following:

* A picture frame with plexiglass or glass

* Air dry clay (we used Polyform Model Air available at your local big box craft joint)

* Glue (I like Aleene's Tacky Glue because I imagine a lady named Aleene to have a big fat beehive hairdo and tacky handmade jewelry crafted from beer bottle caps. An art teacher, of course.)

* Acrylic paint. The cheaper the better.

Now, I gotta tell you, I totally deviated from the instructor's directions. Not because she wasn't an excellent teacher and artist (her stuff is amazing, ya'll, check it here) but because I have this terrible habit when it comes to art teacher professional development classes: I have Creativity Constipation. Please tell me I'm not the only one. Some call it "slow processor"; my grandma ustah say, "Cassandra, either sh&& or get off the pot!" Normally, when I finally do come up with an idea, it's unattainably elaborate. Knowing this, I decided to keep my mosaic super simple: A Keith Haring-themed Celebration of a Messy Art Room.

 To which the instructor said at this stage of development: Oh! An Olympic theme! I love the torch, nice touch. 

(face. palm.)

 But lemme back up for a second as I believe I was supposed to be giving you some DIY directions in here. I started by pounding the daylights outta that clay until it was about cookie thickness. From there, I used a needle tool to trace around my Keith Haring-inspired dancing artist figure template. Once one was traced and the edges where smoothed, I flipped my template over and traced a second dude. With my left over bits of clay, I created the filler that you see: pencils, paint blobs, scissors, hearts, moons and rando organic shapes. By the way, that air dry stuff is not my fave. It kinda felt like I was sculpting with an uncooperative stale marshmallow. But that's par for the air-dry-clay course, I have found.

 I laid out all of my pieces directly onto the plexiglass and commenced painting.

 As soon as I was finished painting a piece, I laid it right back into it's spot. I knew that if I didn't, I'd totally forget where it went. By the way, it wasn't until I was about this far that I realized that all of my background pieces looked like Lucky Charms. They're magically delish, ya'll.

 Yay, not an Olympic Torch. 

Once the paint dried, I picked up each piece and glued it to the plexiglass frame. When that was complete, I decided that I didn't like that white "grout" background. I toyed around with a couple of color ideas for the back but in the end settled on black as it made my Lucky Charms "pop". And who wouldn't want that? So I painted a piece of paper black and inserted that into the frame.

And there you have it. I can't wait to hang this bad boy in my Disastrous "But it's an Art Room!" I think it'll go perfectly in-between those dingy tables and that crusty sink. Until next time, ya'll, fly that flag high! And, please, save that classroom teacher a heart attack and go wash your paint-stained hands. 

Read more »

DIY: Stenciled Embroidery

 I don't know if you know this about me, but I'm a songwriter. It's true. Do you really think Emimen came up with all those lyrics on his own? I'm the real Real Slim Shady, ermkay. Don't believe me? Well then, lemme share with you a song I've been workin' on. It's a little tune I like to call The Thus Far Days of Summer Vacay: 

On the first day of vacay,

My summer gave to me

A busted ankle swollen to the size of a panda babe-ee.

On the second of vacay,

My summer gave to me

Flashbacks of last summer when I dropped a food processing blade on the same foot

and a busted ankle swollen to the size of a cat babe-ee 

(which I know is called a kitten but that didn't rhyme so bear with me)

On the third day of vacay

My summer gave to me

A visit to the doctor who said I bruised my ankle bone (what?!)

Flashbacks of last summer when I dropped a food processing blade on the same foot

and a busted ankle swollen to the size of, well, nothing. It healed. End of song.

I do hope your summer is off to a better bruised-boneless start, ya'll!

The hubs and I, when not busting ankles, have found ourselves on the road aplenty thus far. And, as I've chatted about before, one of my fave travel crafts is embroidery (you can read all sorts of fascinating embroideryness here, here and here, kids). Howevers, at the time of said hittin'-the-road-ness, I had nothing in the works. So, on a whim, I grabbed this thrifted stenciled piece with the idea that I'd improve upon it's half-a##'ed stencil-ness as seen above.

 Whatcha see here is a half embroidered piece. On the left side is the original state and on the right is the embroidered upon. Not to sound like a bragosaurus but, despite what the photo shows, the embroidery is a big improvement to the formerly just-stenciled state of the fabric.

See? I told ya's.

Which got me thinking. When I gave my students an End of the School Year survey (an In the Art Room post to come, ya'll), many of them wrote that they wanted to learn more weaving, sewing and "handcrafts", as one put it. I was thrilled to hear that since I loves me some fiber arts (and totally enjoyed teaching it this year!). However, teaching embroidery takes 4.Eve.Rrr...R. And sometimes the results are small due to the size of the stitching and the limited amount of patience (on behalf of both artist and art teacher). 

So, after working on this piece, I had the thought, "Why not have them stencil a design then embroider?" Actually, that's not what I thought at all. What I really thought was, "Why am I thinking about school, IT'S SUMMER!" And then I reminded myself that this is a blog where I pretend that I eat, drink and breathe art education and I needed to shut up before those five folks that read this catch on. 

Oops. Too late.

Ahem. What was I saying? It appears that I fell asleep and that some evil Summer-Loving Art Teacher Maniac took over for a moment. My apologies. 

For this here activity, you're gonna need to gather up the following:

• Stencils. I had these pre-mades from JoAnn's in my stash
• Fabric Paint. Left overs from this dress. 
• Fabric. I just used random bits from my scrap bin.
• Embroidery hoops.
• Stencil sponges. In a pinch, I used my makeup wedges as that's all I had on hand.
• Embroidery floss.
• Embroidery needle.

 Because just stenciling one color would be a snooze-fest, I decided to do a little color blend. I think the kids could handle that. Well. Maybe.

 The trick is watching where you stamp so you don't flip that wedge. Because a flipped wedgie just sounds terrible.

 Here's something interesting I noticed: the thicker the plastic stencil, the more underneath bleeding of the paint. The super thin stencils actually worked much better and produced a much more crisp image. Hmm. Not what I was expecting.

 Have you ever embroidered before? I'm gonna assume you've not. So lemme introduce to you The Running Stitch:

1.  Embroidery floss comes in strands of 6 pieces of floss (or thread). Cut your desired length (I usually go from hand to shoulder and clip) and separate 2 strands of floss from the 6. Do this slowly as the floss loves to tangle.

2. Ideally, you should run those two combined strands of embroidery floss over a lump of wax. Bee's wax is preferred. This will prevent the floss from tangling. And tangling sux.

3. Thread your needle with those bee's wax-y stands of floss and double knot one end. Frame your piece in an embroidery hoop. Starting from the back, poke your needle up at your starting point.

 4.  Go about a quart inch and dive your needle down. I'm using mine to outline the edge of the flower. You do whatever you want. Make veins for your leaves, fill in a shape, whatevers. Just be certain to pull that needle down until the knot on the back stops it.

 5.  Now for the next stitch, jump ahead a quarter inch and pop up pulling completely.

 6. And go backward to fill in that gap.

 7.  For your third stitch, pop up from the end of your last stitch. The reason you didn't do this previously is because you would be taking a stitch out. You see, you can never have your needle come out of a hole it just went into, it will take the stitch out. However, it works here because your previous stitch had gone backward. Say what? I don't know, I'm just as confused as you are. Let's keep stitching.

 8.  When you get to the point where your thread is as long as half the length of your hand, it's time to tie off and reload your needle. To tie off, flip your embroidery to the back. Slide your needle under a nearby stitch.

 9.  Pull slightly until there is only a loop of embroidery floss left. Then reverse that needle and go through that loop. Do this twice. That will create a secure knot.

Confused? Me too. Youtube it, kids.

 And there you go! You are on your way to a stenciled embroidery! I'm really excited to play around with this idea of combining these two techniques into one project for the kids. 

What are your thoughts? Got any awesome ideas you'd like to share? Please enlighten this bruised-bone barbarian, would ya?! 

Read more »