In the Art Room: Teaching Scissor Safety

There's nothing quite like finding a pile of clipped hair in the art room just as your email inbox pings with a not-very-happy message from a parent of a child with brand-spankin' new bangs. In a miserably short and asymmetrically style ("But I hear it's all the rage on the runways right now...?"). Who knew we were hosting Beauty School Dropouts up in the art room?! NOT ME!

Look, I learned long ago that with kids, you gotta teach EVERYTHING. Like, EVERY-shouldn't-you-know-that-already-THING. And how to use scissors properly, safely and correctly in the art room is one of them. So, here's my scissor chat with my kindergarten as they prepared to cut out the clouds to add to their rainbow collages (lesson details to come!).

Here are the three things we cover when it comes to Scissor Safety:

1. SCISSORS ARE ONLY FOR PAPER. Not people, hair, clothing, applesauce, pizza, eyelashes (yes, that's happened)...just for, REPEAT AFTER ME, paper! The end. 

2. When scissors are not in use, they are closed. For some reason, I hate seeing scissors sitting on a table open. It looks like an accident waiting to happen.

3. Scissors have a HANDLE. It's where your hands go! That's how it got it's name. When HANDING someone scissors....HAND them the HANDLE. 

Additional pet peeve: do not walk around with scissors. They stay at your seats. With you. And your paper. That you are cutting. With said scissors.

 Kids these days, y'all, they don't know how to hold a pencil let alone scissors. I blame technology. I pretty much blame EVERYTHING WRONG WITH THE WORLD TODAY on technology...but I don't say that too often for fear of sounding like an old lady (which, hello, I am). But, for real, have you even seen how kids hold scissors these days? If it strikes you as odd...then guess what, chicken butt? IT'S YOUR JOB TO TEACH THEM! Remember, we gotta teach them everything. After all, they've only been on the planet for, like, 5 years. 

So, here's how I teach Scissor Usage:

1. Your dominant hand (the one that pretty much does EVERYTHING) is your scissor hand. It's job, when cutting, is to ALWAYS FACE OUT. Never toward you, but away from you.

2. All that hand does is open and close those scissors while FACING OUT (stress this...otherwise you gonna find kids with clipped clothing). Now, that hand that usually does NADA MUCHO? When cutting, it does almost all the work. 

3. The "lazy hand" turns the paper for you! Pretend glue your cutting arm to your side. Put it in FREEZE mode so it only faces OUT. Remember, all it does is open-close-open-close those scissors. That other hand does all the paper-steering like mama does when she drives a car.

Y'all. I know it is a lotta explaining. But, seriously, you'll thank me later. And LOOK at how beautifully they cut out those clouds! And I'm happy to report that not a single one ended up with one of those asymmetrical bobs! 

P.S. Giant scissors came from a flea market...but a fake pair could totally be made with cardboard and a brass roundhead fastener thing. DO IT. 

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Art Teacherin' 101: Thoughts on Guided Drawing

 I often times feel like there are these notions in art education that you have to pick a side. TAB vs. not TAB. Project-Based vs. Non-Project Based. Guided Drawing vs. Guided-Drawing-is-the-Devil.

Here's why I HATE when I'm forced to feel like I have to pick a side. 

1. It pits art teachers against one another. 

Look, everyone's end goal as an art teacher (at least I hope) is for our children to realize the power of their imagination and creativity. It can boost their self-confidence, give them mental strength and allow them to see all of their creative potential! How we, as teachers, get our students to that point, varies. We are all in different situations, with different schedules and different standards and curriculum. What might work swimmingly for me and my diverse students, may not work well for another in their setting. Does that make them wrong? Does that mean they are doing their students a disservice? Something tells me that if an art teacher is giving it their very best...not their most perfect because that's just unattainable, but THEIR very best...than isn't that enough? Should we really beat them up if their best looks different than ours?

2. It paints a black and white picture of art education...in our beautifully colorful world. 

How we teach art is not black and white. You don't have to pick a team or a side. I like to think of all the wonderful ideas on art education as tools in my toolbox. When I use a variety of tools: guided drawing, open studio, center time, project-based, etc., I notice that I'm able to reach ALL of my learners. If I only used one tool in my toolbox, like guided drawing, for example, then my students would only become good at following by example. There's only value in that type of learning if we combine it with other types. This allows our students to see the importance of what they are learning and how they can apply it to their creative life inside and out of the art room. 

With that in mind, I really feel like Guided Drawing gets a bad wrap. I use guided drawing as a tool in my toolbox with MANY other tools. Here's why I value guided drawing and how my students enjoy it with success, confidence and happiness.

So, what are your thoughts on guided drawing? Or any other method of art teacherin'? I've been teaching art for 20 years. For new teachers, I can only imagine how confusing and difficult it must be to hear all of this art edu-jargon. Just know that if you feel you are trying your hardest and your students are responding, you are doing alright. Trust me...your students aren't going to remember some fancy edu-jargon...they are going to remember that you loved on them, created with them and encouraged them every step of the way. And, fingers crossed and knock on wood, that will be enough to have them realize the power of their own creative potential. 

If you are interested in seeing more of my guided drawing lessons, you can use the search bar on this blog...or you can check them out below!

Heather Galler Flowers!

Many of my guided drawing lessons are VERY open ended so the kids can really explore with confidence.

There are MANY MORE lessons on my YouTube channel if you'd like to check them out! 

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Art Teacherin' 101: Episode 10

Hello, art teacherin' types! I'm here with you today because those Back-to-School nightmares have already started. All y'all know what I'm talking about: crowded art room full of kids going absolutely bananas while the classroom teacher waits looking at her watch, shaking her head and tapping her foot. You scream, "Hey! Hey, guys!" about a half dozen times to get their attention only to see Susie cut a hunk off Janie's hair with a pair of razor sharp scissors while Billie and Beau crumple up artwork and break crayons over each other's heads. I wake up with cold sweats in a panic: I MUST GET TO SCHOOL AND PREPARE!

I'm here today to tell you this: DON'T DO IT! Enjoy what's left of your summer. You've earned every drop of freedom. However, I know it's hard to enjoy this time off when the dark shadow of back-to-school supplies at Target is looming over you. Well, lemme set your mind at ease. To prepare for the first coupla days of school, you don't need the prettiest art room, the most prepared lessons or plotted out script. All you need to do is remember one simple word:

This word is the perfect acronym for a fool proof back-to-school formula. Check it out:

W = Welcome 
Welcome those kids to your art room with a heartfelt greeting! It will kick your class off right.

E = Entrance
Make sure your students understand how to "make an entrance". Getting your artists into your room in a calm, quick and quiet manner means you have more time to create!

L = Let Them Know Expectations
I have one rule: Be Kind. However, that one rule holds a lotta weight. So this year, I'm creating a short video to share with my students to quickly walk them thru my expectations. This means, I won't leave anything out when I talk to my dozens of art classes!

C = Create!
Make sure there is time to create on that first day! They've sat and listened to rules and procedures all day long...make your room different. Allow them to get messy on that very first day. They will love you for it.

O = Observe
Be like a scientist on a safari. Observe these art makin' creatures to see who needs to be moved, who needs to have access to different supplies, who needs more peer tutoring. Take all of that information in so you can use it in the future.

M = Make Them Feel Special
Everyone responds to love. Show it in a way that both you and your students are comfortable with. For me that means a lot of side hugs. We also use sign language in my art room. Signing "I love you" is one way we show we care about each other.

E = Exit
Making an exit is just as important as an entrance. I have a habit of getting the kids juiced up, it's just my nature. So I'm working on some new procedures to have them leave calmly. Sign language has really been helping in that department!

So there you have it! Instead of worrying away your summer about those first days of school, just breathe and remember WELCOME. Shoot, even paint yourself a sign if you have to. That's what I did!

In other news, as you do plan for the new school year, check out my buddy Laura Lohmann's ART TEACHER PLANNER! What the what?! Where has this been all my life! Now I have no excuse not to get my life together. At least that's what my life coach tells me. Ya'll best check it out. 

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In the Art Room: An (Awesomely Candid) Interview with a First Year Art Teacher

If this beautiful face looks familiar to you, that's because it's the always-awesome Rebecca Tenpenny, my student teacher from last fall! Since leaving my (super sad and sobbing) side, Rebecca has moved to Salt Lake City, Utah where she currently teaches art at two kindergarten through sixth grade schools. At one placement, she is on a cart and at the other, she's got her own art room. Being a new art teacher, I thought it would be fun to interview Rebecca. She's also included some photos of her art room, her displays and the lovely landscape that is Salt Lake City. Without further ado, here's Rebecca!

Rebecca hiking with Kingsley, her 85 lbs lab.

During your first few months of teaching, what has surprised you the most? 

I AM SO TIRED ALL THE TIME! I was definitely not ready for how physically affected I would be.  I am surprised by how emotionally, mentally, psychologically and physically draining teaching is. And allllllll of those things combine to make me the most exhausted human being in every way possible. I always thought I was one of those people who could stay up late and then get up whenever, because, well when I was in college I did just that. But now that I’m a little bit older, my body is not as resilient as it used to be. And don’t give me that stuff about how I’m still super young and have no idea what getting older is really like. I know I am young and have a long road ahead. I’m just saying that being about a year away from 30 is a lot different than being in your early 20s. 

Display outside of Rebecca's art room.

This whole situation is like when people say“you’ll never know what it’s like to have kids until you have them,” and people who are expecting think “ok well I’ve heard that a lot so I won’t be too surprised when the baby comes and it’s nuts” and then they still are surprised once they do have the kids. Well, I don’t have any children of my own…oh, but wait! I already do! Imagine having about 1100 kids, and they all want your attention and need your help because they’ve never had art before, can’t speak English, just moved to the country a week ago, OR are just so excited that they can’t sit still. THAT is why I am so exhausted. Phew. Rant. Over.

(Oh my goodness, you guys, don't you love Rebecca? Teachers everywhere are sayin', "right on, sistah. Preach.")

What do you feel the most comfortable with?

Hmmmm…..I feel the most comfortable with my 85 lb black lab on my lap, a drink in my hand, and reruns of Parks and Rec playing on the Netflix. Wait, oh you mean with teaching? NOTHING! Just kidding. Kind of. I think if I had to pick something (because honestly I know that in every way I have a TON to learn and shouldn’t be too comfortable) then it would be not taking stuff too seriously. Does that count? I mean, when I am in front of the kids, I am super goofy, I make mistakes, I laugh at myself with the kids, and also just go with the flow. They seem to appreciate that maybe because, well, they make mistakes all the time too. I mean…NONE of them are perfect (WHY AREN'T THEY PERFECT???), but neither am I. I try to remind them of that all the time. AND I remind them that this is a good thing, because this is what makes us all unique.

However, that makes me sounds like I’m this super chill art teacher who lets their kids get away with anything. I’m NOT (Or maybe I am but don’t tell my students). One thing that goes along with being relaxed is that I don’t let them walk all over me. Because in the back of my mind I always know that this is a job, but it is not who I am. I mean, part of my identity now is definitely “crazy art teacher” (You’re not the only one described as such, Stephens. Just the other day a sixth grader wrote an entire journal entry for her teacher about how Ms. Tenpenny’s clothes never match. I love it!). Still, I know that this isn’t the only place where my happiness comes from. So, I don’t put up with them treating me or my art room like badly because I’m aware that there is more to life than teaching and in any situation I wouldn’t let people treat me poorly. That all sounds a bit confusing, but I’m a visual person so don’t blame me for my words.  I think this is what most people call “classroom management.” Those dreaded words. But yeah, I think I’m pretty comfortable with classroom management. I make sure the kids know WHO I am, how I feel about things and how I will react when they don’t meet expectations. And this leads to a pretty comfy environment, I hope. The kids seem to like it in my room and I usually like them….except when they laugh at another kid who farts. IT WAS AN ACCIDENT! (and totally not me!)

Disclaimer: I totally didn't pay Rebecca (that much) for her next comments. Aw, shucks, buddy.

And spare me your false humility because you better include this next part: I only feel this comfortable with myself in the classroom and with classroom management in general because I learned from you! To those who are reading this blog: Cassie may be super humble sometimes, and may have false humility at other times, but when it comes to people bragging on her teaching…no one is over-exaggerating! I am the luckiest of lucky for being able to student teach with her and learn from her every day. Cassie, you didn’t give me explicit instructions about how to be a good teacher or connect with my students, but in every way on every day, you led by example. When district people or other teachers out there compliment me on my super sweet skillzzzz, I always say, it’s because I learned from the best. And then I direct them to your blog, and they’re like “Oh! You’re not actually just good at this because you’re just copying everything from this fantastic lady.” It’s true. Seriously. If all art teachers could student teach under you, then the world would be a better place.

Talk a little about your unique teaching situation. What's that like?

Well, I am currently employed under the Beverly Taylor Sorensen Arts Learning Program grant. Look up that kids, she is amazing and has done INCREDIBLE things for the kiddos of Utah by getting art into their schools. They seriously wouldn’t have it without her. The core of the grant centers on how arts INTEGRATION (key word) helps student achievement. So, as part of my job description, I must integrate other subjects into each project to support classroom learning. I also have the classroom teacher in the room with me at all times as a side-by-side teaching model in order to reinforce whatever core subject I integrate. So, that is a blessing and a challenge for sure. I totally agree that art should integrate other subjects to show students (and the rest of the world) that art is an essential part of life and learning, BUT it does feel like there is quite a bit of pressure on me to make my projects as “helpful” to the students core subject learning as possible. So, I couldn’t just teach an art for art’s sake project which I want to do. All the time.

Having the teacher in the room with me at all times has been great for learning kids names, classroom management and integration because lets be honest, I can’t remember what different micro-organisms there are! I have formed some great relationships with all of the teachers I work with because of this. We really do have a blast! And it is super awesome because they are able to see some of their students shine that normally don’t in the general classroom setting. Some people might think that it would be stressful to have another teacher in there, but it’s not! Even if a teacher thinks I’m crazy for doing things a certain way (refer back to previous question’s answer), I literally couldn’t care less. Meaning, their opinion matters to me to a certain extent, but in the end, it’s just my job. Not my life.

Rebecca's students' display for International Dot Day. I KNOW. Amazing!

Other than what the grant requires, my job situation is pretty unique. Well, it’s very different from what I was used to back in TN. I actually split my time between two schools. They are similar, and then extremely different at the same time. Both schools are Title 1, and have about 95% of their students on free lunch. They are both VERY diverse when it comes to the students’ ethnic backgrounds. Which I LOVE.

At one school I have a classroom, the other I am on a cart. Both situations have advantages (yes, I do believe being on a cart has its advantages) and disadvantages.

The school where I have a classroom is one of the refugee schools in the district. Salt Lake City has a high population of refugees from all over the world, and I get to be a lucky lady who works with a lot of these kids. And I mean it. I love being at this school. There are over 30 languages spoken there. The top five being: 1. Spanish 2. English 3. Somali 4. Arabic 5. Karen (which is represented by our Burmese students). Now, there are definite challenges that come along with being a refugee school, mainly the language barrier. But the most heartbreaking issue is the opinion of the surrounding community. Most families that live in the area assume that it is a bad school with bad kids and a rough environment because of the refugee population and they won’t let their kids go there. This makes me want to go to each of them individually and 1. Punch them in the face 2. Berate them for hours and 3. Let my dogs poop in their yard and not pick it up. Because they couldn’t be more wrong. Now, do we have issues that all schools go through with attitudes and fighting and whatever else? Yes. But you show me a school that doesn’t and I will give you my dog. That’s saying a lot.

Bottom line: my teaching situation is VERY different from what I thought it would be when I finished grad school, but I wouldn’t trade it for the world. My kids are awesome, and I love them to pieces. Even when I want to squash them to pieces. The teachers that I work with are a fantastic mix between awesome seasoned veterans and fresh-faced, excited newbies, and I have found some amazing friends. What I would trade is my salary…but I’m SURE I’m the only one who thinks that!

Rebecca and her boyfriend Doug (sorry, dudes. She's taken.) love getting out and enjoying the beautiful surrounds. So jelly!

How are you feeling about your life choices (haha, this question reads so funny but you know what I mean!)?

As far as my life choices, I am feeling great! Moving out here was an awesome decision. I knew that if I stayed in TN and found a job there, then it would probably be in an area that I wasn’t too excited to live in because there were hardly any job openings at all. Except one near you that I knew I wouldn’t get…If I could’ve my life might be so different right now! Haha. So, in order to keep my sanity at my job, I wanted to go somewhere that was new and exciting with all sorts of adventure at my doorstep. Utah has definitely proved to be that place. I actually was trying to move to central Oregon (in which there were ZERO jobs) and went to a job fair in Portland, OR. There I met the wonderful HR ladies from my district here is SLC. They interviewed me that day, sent my resume and portfolio out to the schools and I eventually got the right call! Oh, and let me tell you, I don’t know that I would have gotten the job if it hadn’t been for my ridiculously thorough leave behind portfolio that I gave them. So, a HUGE thanks to Debrah Sickler-Voigt over at MTSU for inspiring and pushing me when I needed it. I would never have left the impression I did on my interviewers if it wasn’t for her guidance and all of the opportunities I had through the program at MTSU.

Rebecca and I back in the day. We had so much fun teaching together!

Since being here, it’s been basically impossible to not find adventure. I joined a bouldering rock gym, got a season pass at the Brighton ski resort for the winter (snowboarding here I come!) and have been hiking as much as possible. The first few weeks here before school started I got to go to the Grand Teton, Arches, and Canyonlands National Parks.  I live down the street from a huge park and just a few blocks from all of the downtown excitement. It has been amazing. Of course I miss everyone in my life though. I knew only one person out here (who moved from TN the same week!). It was a big step, but I’d done it before for my undergraduate school in LA so I wasn’t too scared. It was definitely hard to decide to move away from my mom and dad, especially at a time when my brother was moving to Africa with his family. Basically in one fail swoop we left them with no kids in the area…but to that I say: you have a motorhome and a love for travel just like me, parents! And to which they replied by driving out the first month I lived here. I am very lucky to have parents who are supportive and excited for me…and who expect this kind of crazy behavior from me.

As far as the decision to teach: well if you can’t tell, I’m a little crazy and like to go and do and experience A LOT of different things. So, after college it was hard to settle on just one career/job. I bounced around a lot, but feel pretty at home now that I have settled on teaching. It’s pretty fun to have something different going on every day and to experience different kiddos each hour. Keeps my ADD at bay. It goes without saying that there are PLENTY of days and classes that leave me thinking “is this all worth it?” I sometimes just don’t want to move or talk to anyone for days and days. There are times that homesickness for my friends and family seems overwhelming. So, don’t let me raving about my new life out here fool you, it’s still hard! However, ultimately when I sit down and answer these types of questions, I feel pretty great about where I’m at right now. Career-wise and just life in general. Definitely ask me again later though….because goodness knows my mind might change about everything. But for now, I’m seriously loving it. And sleepy. So sleepy.

Rebecca! Thank you so very much for this amazing interview. Those kids and school(s) are so fortunate to have you. You're the best!

If y'all have any questions or thoughts for Rebecca, please leave them below in the comments. I'm sure she'll be happy to answer 'em (riiiiiight, Rebecca?). 

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