Showing posts with label artist dress. Show all posts
Showing posts with label artist dress. Show all posts

Wednesday, June 25, 2014

DIY: Rambo Meets Frida Kahlo Dress

 Hola, cats and kittens! Whatcha see here is one unibrowed lady that has finished her Rambo dress! What in tarnation is a Rambo dress, you ask? (FYI, no one says "tarnation" anymore, you might wanna update your vocab. You sound like Yosemite Sam and not in a good way.) Well, lemme tell ya. It all started a lil while back when SeamstressErin asked me, ME, if I'd like to participate in a sew-a-long. 

Ya'll. In case you didn't know this, sew-a-longs are for people who can actually sew. But I digress.
 According to Erin, she'd managed to get her kitten mittens on all of the turbans worn in the movie Rambo III. You can see 'em on the dudes below. Look, turban-ie!
 Her idea? To send a buncha bloggers a turban and see just what they would stitch up. It's been super fun (and totes intimidating!) to see what those sewers created. I've added a linky-loo to each at the bottom of this post so you can see for yo'self.
 When my turban arrived in the mail, it was magical. KIDS, this turban has been in the presence of Sylvester Stallone. He probably, like, looked at it! He mighta even, I dunno, stood near the dude wearing it. In fact, I'm willing to say he was all, "Man, that is a super sweet turban. The best outta all of them. Can I just, you know, wipe my brow on it?" 

AH! My turban has sweet Stallone sweat all over it! That would explain the smell. Actually, it smelled like camels when I ironed it. Which could only mean one thing: When Stallone sweats, he sweats camels, ya'll. Like a boss.
Now, as some of ya'll know, I love to create clothing inspired by either works of art or the artist themselves (check out my Campbell's Soup Can Dress, The Great Wave Frock, my light up Starry Night Dress,  The Scream Dress, a Jackson Pollock-y Number and my tribute to the surrealist Rene Magritte). So when I started thinking of ideas for this dress, I happened to be working on that stenciled and embroidered piece below. It totally reminded me of the artist Frida Kahlo (who has been in my mind a lot thanks to Natalie Friedl!). When I happened to lay the embroidery on top of the turban I was all "EUREKA! I love them together!" and my Rambo meets Frida Kahlo dress was born (still workin' name: Fr-rambo Frock? Frida Kahlo-ambo? It's a work in progress). 

By the way, don't you love how it looks like Frida is givin' ole Sly the side-eye. She's all, "Ummm-hmmm. I bet he sweats camels."
Oh, Frida, you so crazy.


Since this turban was based on Rambo the third, I decided to use three patterns. Actually, that's a lie. I decided to use three patterns because I'm an idiot. But I really liked the bodice of Simplicity 0320, the midriff of Simplicity 8087 and the flounce -n- skirt of Butterick 5880. Now, some of you know how deep my hatred of Butterick runs. Deep. It was about this time last summer that we battled it out during the making of this dress. Once again, like last time, I relied heavily on my pretend BFF Professor Pincushion. For any of you sewers out there that don't have a clue (like myself), this lady's youtube tutorials are a sewing-lifesaver. 
Putting this number together was not without it's share of seam ripping and swearing. Can you really do one without the other? First of all, getting that bodice and midriff of two different patterns to play nice wasn't easy. And, let's chat about the elephant in the room, shall we? The stripes on the flounce. ARGH! They no matchy! Some of the stripes lined up but others didn't. That's because they were on opposite ends of the scarf and apparently weren't woven exactly the same. So the flounce has a few flubs. Whatcha gonna do.


 A lil side and back view. For the back midriff band, I used some minty green cotton that was just a touch lighter than the embroidered piece on the front. One of the reasons I always return to that vintage Simplicity pattern is I love that stinkin' band. Not only is it flattering (says me) but it also allows me to play with more fabric patterns an color. 
Outfit details: Well, you know I made the dress...I also created those floral hair clips for the occasion by hot gluing some fake flowers to some hair clips; hand painted necklace: DIY here; bangles: gifts/thrifted; wedge sandals with fabric design: DIY here

Now, let us talk about the wonderment that is the Frida Kahlo, shall we? I've always admired Frida's surrealist artwork for it's honesty. This woman's life was a tough one and each one of her paintings exposes so much raw anguish that it's impossible not to feel her pain. Do ya'll know her story? It goes like this: When Frida was 6 years old, she had polio so her right leg was shorter than the other. For ease of walking, she would wear several pairs of socks at at time. As a child, in order to hid this, she took to wearing long skirts.
 When she was 18, she was riding a bus that was in an accident. One of the metal handrails went completely through her body, leaving her nearly dead. She had over 22 surgeries due to this accident. In the end, those surgeries resulted in the amputation of her leg. For the rest of her life, she wore a series of plaster and leather corsets to help her sustain her body. It was during that first bedridden year after the accident, that Frida took to painting (sometimes on those plaster corsets) and an artist was born. 
 "I am not sick. I am broken.

But I am happy as long as I can paint."

I've always loved Frida's sense of style. But it turns out that there was much more to her look that I ever imagined. You see, in the 1930s- 40s, fashion in Mexico was very European. However, there was a national pride movement that both Frida and her super famous hubs Diego Rivera were apart of. To showcase that pride, Frida started to dress in a style called Tehuana after it's place of origin. In this culture, a women's ensemble had three key parts: a headdress (Frida adopted the flowers), a short square and ornately designed blouse (this easily hid Frida's corset), piles of jewelry and a long flowing skirt (which also hid her prosthetic leg). Her signature look, which hid her imperfections, remains stylish today.


 Oh! I forgot to point out, I used some of my scraps to make a Rambo-esque floral headband. 
 And there you have it! A dress that was once a sweaty turban now lives a new life as a Frida Kahlo-inspired frock!
 A very special thank you to Erin for inviting me to participate in this Rambo Sew-a-long! I had so much fun and was truly challenged by the task (but really, when am I NOT sewing-challenged). Now, follow these links to check out more Turban-tasticness!
















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Saturday, September 7, 2013

DIY: A Splatter-Paintin'/Jackson Pollock-y Hybrid Dress

Oh mah goodness, the dress that's been haunting my sewing room for ages is finally complete! Paired with my DIY palette hair clip and some sparkly flats from Anthropologie.
I'll have you know that I'm one of those super duper annoying people that tells the same joke over and over. AND, if you don't laugh the first time, Ima gonna assume it's not because you don't find me highly entertaining, it's just that your ears are broken and you're kinda dumb. Therefore, said not-worthy-of-a-laugh joke will be repeated, this time only louder and slower for your listening (dis)pleasure.
Dudes, when am I gonna learn to work this lil point-n-shoot camera of mine correctly? I mean, this photo's got more grain that a bowl of FiberOne.
Case in point: When I wore this dress on our final day of Painting Processes in the art room. Details of that Super Happy Fun Insanity to come but until then, lemme break it down for ya: 20 children + paint + instruments of mass painting destruction = one awesomely painted mess.  So my repeated joke of choice to anyone who happened to venture into the art room mid-madness? 

"My dress was actually white this morning!"

When my hilarity was met with a blank stare, I restated my standup routine this time explaining my joke. Because that always helps:

"You know. It was white. And then it got paint on it. [unchanged blank stare = digging myself into an even bigger unfunny joke hole] Because, with all the glue huffing, the kids went kinda bonkers, tied me down and splattered paint all over me."

And just when I think I mighta gotten through to Super-Slow-Joke-Getter, some kid'll blow it and shout across the room, "Nuh huh! We don't even know how to tie!"

While I'm pretty pleased with the fit and finish, I'm not loving the wrinkled look of the red midriff. Whassup? I'm guessin my interfacing should not have been an adhesive one. My thought is that the adhesive is causing the midriff to wrinkle. What do you think, sewing sistahs?

Yeah. So I guess I won't be quittin' my day job and takin' my standup out on the road. Cuz knowing my luck, I'd have my students in the audience razzing me the whole time. Which is kinda like my everyday life. Seriously! In fact, just yesterday when I said, "Okay, kids, it's time to start cleaning up." One of my fourth graders raised his hand and said:

"Mrs. Stephens, we don't clean on Fridays. We have the day off. Sorry."

I. Get. No. Respect.
Le sigh. Let's chat about this new dress o' mine shall we? Before I fall into a deep dark nobody-likes-me/everybody-hates-me/why-don't-I-just-eat-dirt depression. I got the notion that I needed some Back-to-School dresses and scooped several yards of this splattery fabric a month ago. I quickly began working on the bodice using this well-loved Simplicity pattern of mine.

Then I decided to break up all that splattery goodness a bit. For this idea, I used the wide waist band from my vintage Simplicity pattern. After the bodice was complete, I seriously had 6 yards of the fabric left. Just enough to try my hand at my very first circle skirt with that vintage Butterick pattern on the right. With the use of three patterns, it's like a ménage à trois dress. But without the awkward sleeping arrangement.
Can you believe the size of this thing?! I loved that I didn't have to mess with any gathering business as I've done with so many other dresses...until I had to hem this beast. And I wasn't about to do that by hand. Are you kidding me? I ran that thing through my machine as fast as I could and it still took me up to an hour to complete.
I'm thinking I need a brand new, extra fluffy crinoline to showcase the endless yards of splattery goodness, don't you think?

Because this fabric totally has a Jackson Pollock thing happening, I got this crazy notion to create a dress for each of our Artists of the Month. If you recall, I created this little number when the kids were learning about Hokusai last month and now I've got this Pollock-y frock complete. The only prob? Andy Warhol is our featured artist this month! Which means I've got some work to do...but at least I've got Pollock ready when his month comes up. My goal by the end of the school year is to have created 10 artist-themed dresses. Wish me luck, ya'll.
Oh! And those Painting Processes I was telling you about? Well, here's what the art room tables looked like before...
...and by the end of the day. Take a close look at that once-white table covering. Looks just like the fabric of my dress, doncha think? Next time, I'm just throwing some white cotton cloth on the tables, ya'll.
At the rate the kids are going, I'll have enough fabric to create several of these Splatter-Paintin'/Jackson Pollock-y dresses. Stay tuned for more details of our Painting Processes in the art room. Until then, have a fantasticly splatterific week!





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