Wednesday, October 24, 2012

DIY: Bewitch Yourself

Remember the TBA dress I mentioned in the last post? Well, here it is: The Bewitched Dress. Which doesn't really have any connection to the old television show except that when I donned the little pointy hat, the batwing'ed shades and the witchy shoes, I suddenly felt very Samantha Stevens. And who doesn't wanna feel as though they could cast a coupla spells with the twitch of a nose?
I actually have a little Samantha Stevens story (btw, if you know me for like 5 minutes, you'll find I have a "story" for just about any occasion). This story begins way back when I was in 8th grade and an absolute Trifecta of Fugly: glasses the size of dinner plates, braces complete with headgear and a gangly 98 pounds. Smokin' Hot. 

Needless to say, the boys were not exactly fallin' at my feet, let alone talkin' to me. And when they did, I was just plain clueless. Case in point: my response to a transaction with a Junior With a Mustache: 

Junior with a Mustache: Hey, what's your name? 
8th Grade Me: Cassie Stephens.
JWM: Oh, like Samantha Stevens! 
8GM: [dopey confused look]
JWM: You know, from that old show Bewitched! Are you related?
8GM: [lacking any sense of humor] What? No. That's a TV show.
JWM: I bet you are related. I bet you can twitch your nose and make stuff happen.
8GM: What would I make happen? 
JWM: [shrugs and turns to talk to his other mustache'd friends]
Present Me: [face palm]
So I might not wear the headgear (still have it though, thanks Hoarder Mom!), the big ole glasses or have that stick-thin frame but I'm still a complete and total geek. Which is what drew me to this total geek-tastic owl fabric. The design was originally created by one of my favorite fabric designers Tammis Keefe. I've actually used her fabric designs in two other versions of this dress. Her designs have most recently been reproduced by fabric designer Michael Miller. I paired the owls with black linen for the midriff and vintage fabric from my stash.
Oh, Elizabeth Montgomery. How beautiful are you? I need that big tousled hair and those cat eyelashes pronto. Do some nose twitchin' and make that happen for me, won't ya?
Now this dress doesn't have the sleeve issue that my el Dia de los Muertos dress had...but I still managed to procrastinate long enough to add some bewitching decorations to the house. Like this giant web I thrifted with some phoney-baloney leaves and a die cut spider.


Okay, that whole nose twitching thing? Check out the difference between Elizabeth Montgomery's (aka Samatha Stevens) nose twitch and mine. Let's see if you can tell the difference...
Do you see the diff? She's actually not wiggling her nose but moving her mouth from side to side. Which is much cuter than my face. I look like I'm trying to silently squeak out a noisy fart. Again, Smokin' Hot.
You try it. Just wiggle your mouth from side to side. It gives the illusion you are wiggling your nose. Without that Squeaky Fart Face look.
Well, once I had my nose wiggly down pat, I was magically able to decorate my mantle. I sewed the garland using some images I had die cut at school. And I added hubs' deer antlers and turtle shells that he'd found on his walks in the woods.



Have you ever sewn paper on your sewing machine before? So super easy. For these, I just ran one of the die cuts through my sewing machine, let the machine continue to run while I gently pulled on the die cut piece and then inserted another piece. I did this for my mantle way back in February too.
So, to bring this whole post full circle, I'm gonna give Junior with a Mustache an answer to his thought about "making stuff happen." 

What would I make happen? 
Well, this October, I think I would just Bewitch Myself. And my house. Now, if you'll excuse me, I've got headgear to go put in. 

P.S. Outfit details:   witchy shoe covers and mini doll hat: JoAnn's; Best Sunglasses Ever!: one of my super thoughtful students. You know who you are, thanks Little Buddy!


Tuesday, October 23, 2012

DIY: El Dia de los Muertos

So I went and did it. I went El Dia de los Muertos-loco. Like, muy loco, ya'll. And I blame it entirely on the sleeves of this dress. 

Actually, now that I think about it, this dress (and it's sleeves) is all the fault of my husband. And his wincing-face when he saw me don my Horror Flick dress again before we ventured out into another night of haunted houses

"What?" says I. 

"Um, maybe you should make another Halloween dress. You know, so you don't have to wear that one all the time."

"It's not all the time, it's just when we go to haunted houses." 
{side note, in October, at Casa de Cassie, that is all the time.}

"Okay." 

Ugh. I hate that "okay." It's like the "okay" of doom. In hubs-speak, it translates to "okay, if you wanna be wrong, that's fine with me, Wrongie-Pants."
And I just can't be a Wrongie-Pants. I don't even like pants. 

And that's how I found myself in my sewing room working on not one but two Halloween dresses: One To-Be-Announced and this one, El Dia de los Muertos. 

I had picked up this skull fabric a couple of autumns ago. And I remember it like it was yesterday because the fabric cutting lady and I had an odd exchange. I'm feelin' very dialog-y in this post, so I'll give it to you like this:

Fabric-Cuttin' Lady: How many yards?
Me: I dunno. Um, how about one. No, make that two. Oh, let's just say one and a half.
FCL: Well, what are you making? 
Me: Oh, I don't know. I just like the fabric. One and a half sounds good.

And this is where the FCL went all soothsayer on me. She slowly brought her eyes up from the fabric, pointed her scissors right at me and said:

Buying things without a purpose is how hoarding begins. 

{shivers}
Needless to say, I took my yard and a half and got outta there quick. I didn't have the courage to tell the soothsayin' FCL that she was about 10 years too late to be warning me about hoarding. I'm just a couple boxes shy of my own episode. 

And I don't believe in those anti-hoarder people anyway. I mean, it worked out perfectly that I had this fabric on hand. And that extra half a yard made it so I could add sleeves to this dress pattern (which I have sewn half a dozen sleeveless dresses from) for the very first time.

Ah yes. Sleeves. 

Which, after the less-than-pleasant experience of putting those bad boys in, I have decided is my new substitute for a bad word. As in:

Oh, that FCL, she is so full of sleeves!
or
I don't give a sleeve if you are tired of seeing me in this dress!
or maybe
Oh, sleeve. I've got one sleeve in this dress, does it really need two sleeves? This is bullsleeve!
So, that last bit, the one about getting just the one sleeve in? Yeah, I totally stopped working on the dress after the fun-ness of that first sleeve install. So I did what I do best: found something else to do. Like make this banner with my fabric scraps. I hung it in the kitchen on my Tennessee-themed chalk board. And that smart-alecky skull ain't lyin.

Wanna make your own Halloween banner? Sewing it is super easy. I cut out a billion triangles, tucked the ends of them into some quilt binding tape (not really tape, just a small folded strip of fabric, check your craft store) and used a zigzag stitch. I thought the turquoise was a little boring after the fact. So, in the photo above, you can see I've got a paint brush and what looks like an empty lid. There's actually a teensy bit of bleach in there.
I painted cobwebs and skulls onto the turquoise with the bleach. I'm sure a bleach pen would have worked just as well, but this is what I had on hand. If you do this, I recommend practicing on some scrap fabric first. The bleached lines tend to bleed so paint with a thin, delicate line.
After making the banner, I ventured back into my sewing room. Noticed I had cut the fabric of the other sleeve so that the skulls were going the wrong way. And, using my new naughty word substitute, I was all like "Aw, sleeve, are you kidding me?!" At which point I decided to go look at pretty pictures on pinterest.

And that's where I saw El Dia de los Muertos planters! The above are my creation but you can click here to see the original. Sadly, the link from pinterest to the actual site appears to be broken. I'd love to give credit where it is do but I cannot. If someone happens to know the site, would you mind sharing it in the comments? Gracias!
Now I love to paint planters. You can see my floral planter DIY here. I learned a lot from painting those, most importantly, after watching hubs break one of my painted terra cotta pots, buy the plastic planters. They're cheapo and hubs-breakin-proof. 

I took mine outside and spray painted them a satin white. Once dry, I penciled in circles for the eyes with either a daisy or a heart for the iris. Upside-down heart for the nose and ovals for teeth. So easy. If you are not comfortable painting tiny details, block in the large areas with paint and use sharpies for the little stuff. I gave these a coat of clear varnish to protect them from the elements when I was finished.
How do I love this dress pattern? Let me count the ways: Empire Strikes Back Dress, the Elvis Presley Poodle Dress, the I-See-London-I-See-France Dress, the Horror Flick Dress and now this little number. Oh! And one TBA. Wow. Think it might be time to move on...?
After all that avoidance-crafting was done, the only thing left was that sleeve. What a piece of sleeve it was. But I did it. I showed that little sleeve who was boss. Or, should I say, El Jefe.

That's right El Jefe of all things El Dia de los Muertos. At least in the this Casa.

Adios!

Sunday, October 21, 2012

What the Art Teacher Wore #39

Last Day to Dye Monday: Tie-dye that is. We managed to get all 400 plus shirts rubber banded and dyed just in time. I've been asked by several of you just how we went about the process of organizing (which is not handled by me but an amazing parent), preparing and dying all of those shirts. I'll share that with you in a future post. birdie top: Old Navy, last year; dress: thrifted, Isaac Mizrahi; tights: Target; shoes: Fluevog; poodle pin: antique shop; belt: gift from a friend
What's happenin', hepcats? Nothin but lazin' and loungin' on this here Sunday before my lovely week off. Usually on Sundays I'm dreaming up what kind of mischief we are going to get into in the art room but not so today. I've managed to spend my day sewing (I'm just two zippers and two hems away from finishing two dresses!), running errands (I had to venture into The Mall-shivers-), and dining out. Usually on my days off, I'm lucky if I manage to get out of my 'jamas and shower, so today I'm feelin' mighty proud. 

While I share my what-I-wore's with you this week, I have to share this British portrait artist I just discovered: Gerald Leslie Brockhurst. When I came across his paintings, I had a serious, "Where have you been all my life?!" moment. I love portraits of women, especially these with their beauty and incredible fashion sense. These paintings are well over 50 years old and look as though they could have been painted yesterday.  My personal favorite is the one below: those puffy velvet sleeves, those barely-there eyebrows and That Stare.

I hope you have a lovely week and I'll chat with you soonish!
Ophelia 1937, Oil on canvas Gerald Leslie Brockhurst was born in England on Halloween in 1890. Apparently his drawing skills were so awesome that by the age of twelve he was enrolled in the Birmingham School of Art (that would be the B'ham in England, not in 'bama).
Tent Dress Tuesday: I needed it on Tuesday. Had to save room for an afternoon of fro-yo.  sweater: Anthro; dress: BCBG; tights: Target; shoes: Dolls by Nina
Portrait of a Girl I love paintings with an unfinished look about them. I feel like it allows you to see into the artist's process, how he drew with his brush and built the colors over time. Brockhurst's amazing talents won him a scholarship to study art in Italy and France. That happened to me once. But I decided not to go.
Painted Dress Tuesday: It was a wild day in the art room and my dress reflected it. I'm used to having visitors hang out in my room, but on this particular day, it just felt a little crazy. I actually didn't wear these boots but my DIY splatter paint shoes which you can see with the dress DIY here. dress: thrifted Target dress, painted by me; tights: Target; boots: Frye; belt: Anthro; scarf: picked up in Germany
Sorry, can't seem to find the title on this one. While Brockhurst was studying in Italy, he fell in love with the work of Leonard da Vinci. I think you can see that influence of a dark and mysterious background in this painting. It's very similar to the background in da Vinci's Mona Lisa.
Thursday, The New Friday: Thursday was our last day with kiddos before they were off for Fall Break. We still had one more day of professional development before we could call it quits. dress: anthro; top: anthro, gift from a friend; tights: Target; boots: old, Seychelles
Portrait of Mrs. Lebus In the 1920's Brockhurst became a pretty big time portrait artist, painting the likes of Marlene Dietrich and the Duchess of Windsor. His portrait etchings are equally amazing.
Fall Break Friday: Can you find the creeper in this photo? dress: Anthro; tights and necklace: Target; shoes: Sofft
Awww! Well isn't dat the cuddest widdle kitty eber?! All 20 lbs of her (just kidding, we've managed to wittle her down to 16).
Jeunesse Dorée, 1934 Just like every great artist, Brockhurst life involved a scandal. You see, he was married at the time he met the model of the painting above. Their affair became public when she gave an interview with a magazine that was probably the 1930's version of InTouch or People (my personal faves). Oops.
His wife at the time was already a little miffed because he'd messed around with her sister, Marguerite. Double oops. He eventually divorced his first wife, moved to the U.S., became a citizen and married Dorette, the woman he dubbed Ophelia in the first painting. This just in, this painting is actually NOT by Brockhurst but Gerald Festus Kelly. Sorry for the mistake...and thank you, kind reader, for the correction!

 Portrait of Margaret, Duchess of Argyll 1931

Regardless of that scandal, there is no denying these amazingly beautiful paintings. I am just in awe. You can find more here. This has me in the mood to get some canvases and paints out and go to town. Maybe I'll even manage to squeeze a kitty in the background.













Saturday, October 20, 2012

Weekend Adventure: Halloween Horror Nights

So for the past, I dunno, 7-ish years, hubs and I have made the trek down to Universal Studios in Orlando, Florida to attend their Halloween Horror Nights. We cannot get enough.
 Don't hate me, but I as I write this here blog post, I am on this magical and amazing thing called Fall Break. That's right, for a whole week, no more pencils, no more books, no more kiddo's dirty looks. Nothin' but pajama parties and craftathons. That is until hubs and I take off on an adventure to Lalaland. I'll fill you in on that trip in another post. 

In the meantime, here's a slightly belated post on a trip we took a couple weeks ago to Tampa and Orlando. Every October, we travel down there to attend Busch Garden's Howl-O-Scream and Universal Studio's Halloween Horror Nights. This year we also visited Busch Garden's Williamsburg's Howl-O-Scream and I chatted about that trip here. Because we attended Universal's event several nights, I thought I'd share that spooktacular experience with you.
Just like the Walmart Greeters, these creepy dudes met us at the entrance of HHN (because I'm too lazy to type out Halloween Horror Nights, I'm abbreviatin'). They towered over the crowd at about 14' tall.
 So, lemme tell you how HHN works. It takes place at Universal Studios (not Islands of Adventure, aka Harry Potter World). At around 5pm, they kick everyone out of Universal to prep the houses and the scare zones. If people have paid to "stay and scream", as it's called, then they get to hang out in a holding area until the gates of doom are open. Those lucky folks get to enter a pinch early and experience the haunted houses first.
'Bout as friendly as a Walmart Greeter too.
 That's how we did it. My hubs is crazy about going through these houses, so he has our whole route mapped out: skip all of the houses at the front where the crowds head first and run straight for those in the back. There were seven different haunted houses to go through, with lines up to 45-100 minutes long. So it's good to have a hubs with a plan. And a front-of-the-line pass, if you can swing it.
 One of the most popular houses (though not my personal fave) was the Walking Dead. This haunted house was created by the dude behind the AMC show. I've only caught snippets of the first episode online (we don't have a telly) and this house made you feel as though you were walking right through the set. It was frighteningly amazing. 

These zombies were not in the actual haunted house as they won't allow photography. They were apart of something called a scare zone. Scare zones are areas within the park where scare actors continue to frighten people...which means no where within the park is safe. This zombie-themed scare zone was right outside of the Walking Dead house.

We had the most beautiful weather while we were there. During HHN, all of the rides continue to run. Which means you can stop screaming at spooky stuff long enough to go scream on The Rip Ride Rocket or The Mummy.
Only during HHN do they change the sign to read Mel's DIE-IN. Love it.

Most of the haunted houses are in sound stages, meaning they are inside buildings used for filming. Universal Studios is an actual working studio. Those particular houses are usually the best...but lack an outdoor entrance worth photographing. This particular house was designed by the magicians Penn and Teller and was not inside a sound stage. It's theme was that a nuclear meltdown had happened in Sin City. Best part? The casino girl with three ta-ta's.

Alice Cooper also designed a house called My Nightmare. This entrance was hands-down the best. Alice's songs were blasting through this house along with some very nightmarish things.
Me and a super cute Jell-o Shots girl. They sell the shots in those hilariously nasty blood bags.

Did you notice I'm wearing The Horror Flick Dress? We went with some friends and family to HHN and I shamelessly wore the dress Every Single Night. The joke became that the scariest thing about HHN was the smell comin' from my dress. Thank you Jen of Peachy Tuesday for crafting me a matching headband!
Oh, my bad. They were friendly enough to stop for a photo.
 Hubs just looked over my shoulder at these photos and said sadly, "I can't believe our trip came and went so fast." It's truly our favorite thing. If you can't make it to such an event, then get yourself to your local haunted house. You seriously won't regret it!