DIY: Felting a Dress is a Scream!

So the other day, a maintenance dude was in my art room installing what appears to be The World's Largest Flat Screen T.V. (seriously, ya'll. What am I gonna do with this thing, shop on QVC whilst the kids are art-makin'? Hey...wait a minute...). Annnyway, we got to chatting and dude tells me a story about his high school art teacher that is so deliciously demented, I just have to share it with ya. Apparently, this art teacher salvaged her daughter's hair after a hair cut and, wait for it, knitted it into a sweater.

[I'll pause here until you finish with the dry heaves.]

But wait, there's more! Dude then proceeds to tell me that whenever you were working on your masterpiece, the art teacher, forever in her Hairy Hoodie, would lean over to offer advice and, when doing so, the hairs would tickle your face. 

[Again, I pause. Heave away.] 

"Because all art teachers are weird, you know," said that formerly tickled and tormented soul. "Even you!" Mind you, I just met this guy and he's already got me (accurately) pegged.

Why tell you this story? Because I remembered it when I was felting hairs into this dress. Not human hair, mind you, but that of some colorful sheeps and, well, maybe a rogue cat hair or twenty.

And I'm left with the thought: Will my sweet art-lovin' students tell stories of their Hairy-Dress art teacher?!

I scream at the thought.

According to my calculations, there here is my 12th Hairy, er, Needle Felted Creation. For my latest felted -n- foxy masterpiece, follow this linky-loo which will lead you down a rabbit hole of cheeseball needle-felting tutorials and a look-see of my Needle Felted Projects of the Past.

With that outta the way, let's chat about this here Munch-inspired Scream dress, ermkay? I gave ya'll a look-see (as well as a brief history of el Munch-o) in this What I Wore post. I've had my mind set on creating a Scream dress since my Adventures in Making an Artist-A-Month Dress began. And I've had my eye on this years-old (and slightly ruined from a formerly failed DIY) dress as the perfect canvas for this Scream-tastic adventure. I began by drawing my design out in chalk as it's easy to erase with an elbow or completely rid of with a toss in the wash.

Way back in January, when hubs and I took to the Smoky Mountains for some adventuring, I stumbled upon a knitting/weaving/felting shop that had this amazing felt roving. When I saw it, I immediately knew it'd be perfect for The Scream and scooped it up for a mere $14, ya'll. I thought the mix of colors would save me a lotta labor layering colors...which I spent a lot of time doing in this piece.

And in 30 minutes, I had a wee bit of sky in place.

Many more than 30 minutes later, I had made some progress...however, it's become apparent to me that I need to size-up on my needle felting tool as that little bitty pencil-sized thing takes For.Eve.Rrrr.

However, I was determined to finish this super hairy beast. So I strapped on my headphones, jammed out to some rando tunes (I ran the musical gamut from Mazzy Star to Siouxsie and the Banshees and some Lily Allen. I tole you, rando) and worked until the loopeyness set in...

At which point hubs came in to check on me (I wasn't responding to his hollerin' due to said headphone/jam-out sessions). He brought Ashie with him who we promptly styled with a rogue piece of roving. Question: Do you prefer the Conan O'Kitty on the left or the Cat-Faux-Hawk on the right? Let's be honest, this cat looks good in any random roving we put on her head.

When the dress was finally complete, it seriously weighed a ton. I totes wasn't  expecting it to be so hot and heavy, heehee. Ahem. To smash down the roving (and lock the fibers into place), I flipped the dress inside out, as seen, and ironed the crap outta it on the steamiest setting available.

This helped flatten the otherwise lumpy and bumpy look to the dress. Which is never appealing.

By the way, I saved the Scream-y face for last. I was certain I was going to mess it up. And that's like the most important part. Mess that up and you lose the image entirely.

And I did struggle with it a bit. Originally, I created the hallows of the eyes in brown. However, that appeared much darker than is seen on the original. So I toned down the hallows with a very fine veil of peach roving. This worked to push the eye sockets back a pinch and made it so the pupils could come forward. It was a happy accident and I'm excited that I discovered a fun way to play with value whilst felting.

Of course, no post about The Scream would be complete without a dorky attempt at The Scream. I had to channel my inner Home Alone/Macaulay Culkin. My sincerest apologies.

And there you have it! One felted The Scream dress that's hairy-feltedness is sure to tickle the face of some poor student who will live to tell about it to generations to come. And by "generations" I mean their many therapists.

Until next time, I hope your week is a Scream, ya'll!

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In the Art Room: A Guest Post While I'm Away!

Hey guys! Just back from the NAEA conference in San Diego...and attempting to recover from that awesome experience! I'll be back with you soon with plenty of photos and stories from this past weekend but until then, please enjoy this post written by fellow art teacher buddy Faigie!

I am so thrilled to be filling in for Cassie while she has a great time in San Diego. 

I like to bill myself as the art teacher with no art background.

I do have a Masters in Early Childhood Education and have always been extremely involved in the progressive art part of early ed, and have even given workshops to teach teachers how to incorporate good art into their classrooms.

It was only this year however,  that I became a bona fide art teacher, teaching in a new private school that only goes up to first grade so far.

Even though I have a passion for kids and their art, I've always  particularly loved collage. I really see how with a little bit of direction and some suggestive materials collage brings out the best of children's creativity.

This year I only have the first grade and Kindergarten and usually try to do different activities with them.

For this activity however, I decided to give both of them collage. For the first grade  I added a bit of a twist.

I cut out some basic shapes using the large shaped hole punchers to get nice round circles. I also decided to add some hexagons for interest. 

          

When the children came in I sat them down and held up each shape individually. We discussed what each of those shapes made them think of.

I wanted them to go to the table thinking and to  create "something",  not just a design.

It's obvious from their work that they really did try to use their pieces as part of a larger picture.

I also added their own descriptions of their pictures to their artwork which I find really adds dimension.

Some of course made one larger picture while others made a few smaller objects on their papers.

Then came the first graders.

When they came in I went through the same discussion that I had had with the Kindergarteners but, I added one thing.

I had found a bunch of patterned papers that I had with my art stuff and I told them that they had to pick out a piece of a pattern from one of the papers and incorporate it into their collages.

I found that many of the children got their ideas from their pieces they cut out and built on their artwork from there (which was the idea).

The one below was a squirrel trying to get an acorn from a tree.

 In this one, the little girl wrote her own description of what was going on in her picture. 

One of the things I love so much about collage is that there is so much variety that can be added to each collage activity that only allows for more and more creativity. There are also many levels of sophistication in many of them and I know this can be done with all ages.

And now for my disclaimer:

I can never compete with Cassie's wardrobe  and I don't intend to.

HOWEVER, I didn't think it would be nice to finish off a post on her blog without showing you a picture of what THIS art teacher wore (or wears).

So here is my picture below of what I wear (or change into) in EVERY art class.

Faigie Kobre is a new  art teacher in a fledgling private school . She also gives art classes in her home. She runs a blog called EduArt 4 Kids teaching parents and teachers how to give their kids  great art that will help them think. She believes that everyone  can and should do art. She has a FREE report that you can get  now called "The REAL reason most people can't draw a straight line, plus 5 tips to make sure your child will". Even if you are a real artist, a distinction that she does not claim to have, you will find it interesting and may even help you help the parents of your students.

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In the Art Room: Where the Party Pandas At?

Hey, Kids! I interrupt this post to let you know I'm at the NAEA convention in San Diego! I'd love to see you and have some dates and times we can meet up. Follow this linky-loo and I'll see you there!

Wuz up, Party Pandas, er, People?

I recently had to take a coupla days off and needed some quick -n- easy sub plans. From past experience, I know not to leave out our current projects for a coupla reasons: 

1. It freaks out the "I'M NOT AN ART TEACHER!" sub who seems to think my plans are written in hieroglyphs (which they usually are because I like pictures). Upon my return, I either get the stink eye from 'em which translates to "what in the world did you put me through?! It was like reading the no-words instructions from Ikea!" or the furrowed eyebrow/twitchy-eye face which means "I tried to explain what a "landscape collage" was but we couldn't figure it out. So we resorted to glue eating and sharpie sniffing. And it was AWESOME!" 

2. Because the kids, fully aware that their sub is NOT AN ART TEACHER! and, therefore, easy prey, pretend that they have no idea what the sub is talking about. From there, they use their kid-manipulation tactics to convince el subbo that it's perfectly normal to color our hands in marker and stamp it on their face. Like a Kid-Manipulatin'-the-Sub Boss.

Knowing this, and knowing I needed some sub plans for all grades in a pinch, I decided to leave some  step-by-step panda drawing instructions for the NOT AN ART TEACHER! sub. And, I'm excited to say, everyone loved it. 

I have no idea. Bob? Who are you and why are my 4th graders obsessed with you and mustaches? I can only imagine you are some curly-mustached hipster. In skinny jeans. Which should be banned form the dudes' clothing department. But I digress.

Why a panda, you ask? (okay, so you didn't ask but Ima gonna tell you anyway). Well, my students are currently learning about Asia and our panda friends reside in China. We're gearing up for a clay project/fundraiser (we want to help those pandas!) and I thought this would be a super fun way to get the kids in the mood. 

In my sub notes, I asked the sub to follow my routine of having the children gather on the floor. From there, I asked the sub to talk through and demonstrate drawing a panda with the children. These directions were big enough for the children to see once at their seats. However, just in case they needed a closer view, I did make photos copies of the same directions and had them ready on the tables.

I'm happy to say that each of my subs drew a panda...and was actually thrilled by their own artistic skills! Several left their drawings out for me to admire and hang on my fridge.

Just a couple of reminders from who the students and I have dubbed "Señor Roy G. Biv". The children were given only ONE SHEET of paper (make it work, kids! Tim Gunn's watching!) and a black oil pastel. This can be a bit dangerous as those oil pastels can get everywhere (I had one kindergartener unknowingly rubbed his chin and a buddy said, "you look like a hobo!") but I left out oodles of baby wipes and a warning of the danger of smears.

Since the kids were only given one sheet of paper (anyone else cringe at the sound of a paper being crumbled?! "Why you wanna be a tree killer, kids?!"), you can see this student practiced a couple of different ideas before giving it a-go on the front.

Now, one of the reasons I had a sub is because I'd taken my fourth grade on a field trip! When we returned from our trip, I had, like, 10 minutes before my classes started pouring. Since they had drawn the pandas the previous day, I simply had a coupla kids get watercolor paints on the tables and we were good to paint our pandas!

We chatted about a couple different methods for painting our panda backgrounds. My art teacher BFF's (hiya, Mallory!) has recently been doing this patchy wet-on-wet painting process with her students. You can see this in several of the pandas above. To do this, you paint a very small patch of color on your paper. I explain to the kids that a wash is a color light in value. From there, I show them  the wet-on-wet technique of adding those dots of color and watching the dots grow.

These paintings were completed by my fourth grade students. We've actually been doing a lot of watercolor painting lately so they are kind of experts. Many opted out of the wet-on-wet and did their own thing. Which is awesome. For more details on the kind of watercolor paint I use...and the specifics of how I teach those kids not to grind their brushes into their paper, go here.

And there you have it! I hope you'll give these Party Pandas a go...and if you do, please email me some photos, I'd love to see them!

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What I Wore #93 and Field Trippin'

Hello, Monday: I know most people hate Mondays but I kinda love them. Mostly because I'm one of those people that likes the idea of having a "reset" or do-over button. I usually try new things on Mondays and, since I've chilled the majority of the weekend, I've got the energy to do so. Tell me I'm not alone in this "aw, Monday's aren't all that bad" feeling! sweater, dress: thrifted; boots: Frye, resale shop; tights: dunno; scarf: Urban Outfitters; belt: Anthro

Hellooo, long lost friends! I hope you've been having a super wonderful week. It's been great here as I'm currently enjoying the last days of my Spring Break! Hubs and I set off on a California Adventure that involved lots of hikes, trips to Disneyland, a visit with a good buddy from college and strolls on the beach. Oh! And shopping. Loooots of shopping. I might have a problem but until they make some anti-shopping pill (that would ONLY be invented by a straight man, mind you), I'm ownin' this problem. All that set me a pinch behind in blogland. So what you see here are photos of what I wore leading up to my break...which seems like forever ago!

When I return to school on Monday, it's gonna be the start of The World's Craziest Week: field trip to the art museum with my 4th grade on Tuesday, new rotation of afternoon sewing club for kids on Wednesday, school carnival on Thursday (where I'm sitting in the Pie in Yo Face booth, joy!) and flying out to the NAEA convention in San Diego on Friday. Just thinking about next week and all that I have to do kinda freaks me out a little. But in a good way.

Since my 4th graders will be visiting The Frist Center for Visual Arts to view their Looking East: Western Artists and the Allure of Japan, I thought I'd share with you some of the pieces they'll be seeing along with a wee background history of the exhibit. Enjoy these beautiful works and I'll be back with you soonish!

Utagawa Hiroshige, Plum Estate from One Hundred Famous Views of Edo, 1857. So in the late 1850's, after some strong persuasion from the United States (read: we had lots of big boats and weapons), Japan signed trade agreements with the Western nations after 200 years of self-imposed isolation. I can only imagine how the artists of that time most have felt seeing the "exotic" works of art by artists such as Hiroshige.

The Bridge in the Rain, original by Hiroshige (left) copy by Vincent van Gogh (right). One of the most popular pieces of art that influenced such Western artists as van Gogh, Monet and Cassatt where Japanese prints often referred to as ukiyo-e. These works of art were mass produced for the common man and meant to serve as a kind of postcard of a place or event. Ukiyo-e translates to "the floating world" which means that many of the depictions were of the entertainment world in Japan at that time. These prints were created by a team that consisted of artist, carver, printer and publisher. Hiroshige was the artist behind many landscaped-themed prints. Apparently, in Japan, one could not simply travel within the country without passports and permission from the government. For that reason, landscape prints were created to give folks a view of other parts of Japan.

What Does the Fox Say? Tuesday: So, who's tiptoed into the felting pool since my little video? Anyone? Ya'll won't believe how incredibly easy and addictive it is! Just watch out for those fingers. Like, seriously. sweater: DIY here; dress: Anthro label, found at Buffalo Exchange; necklace: gift; shoes: Dolls by Nina

Père Tanguy, by Vincent van Gogh. Oil on canvas, 1887. After discovering Japanese prints, van Gogh seemed to also discover color. Don't believe me? Google that nuthin' but brown painting Potato Eaters and tell me I'm lyin'.

Grainy Photo Wednesday: Sorry, dudes. My classroom photos have been looking grainy lately. And I've gotten into this annoying hands-on-hips habit (check out the next coupla outfit photos, ah! So hands-on-hips-y!). sweater: vintage, thrifted; dress, belt and shoes: Anthro; peacock pin and necklace: gifts

Utagawa Hiroshige I, Yokkaichi: Mie River, 1833. Take a close look at this print and tell me Hiroshige wasn't a funny dude. I love the guy chasing his hat and the dude with his jacket flying up. This reminds me of an Aesop's fable that was read to me as a kid (I LOVED those fables, did you?). In it there was  this argument between the sun and the wind concerning which was more powerful. They decided to test their strength on a man walking down the street. It was decided that whoever could get the dude to take his coat off was the winner. The wind blew and blew only to find that the man wrapped his coat around himself tighter. The sun simply had to shine and it's warmth convinced the man that his coat wasn't needed. I have always loved that story. I like to think that it means you can't convince anyone by simply blowing hot air but by being yourself you'll shine and people will take their clothes off. OR something like that.

Claude Monet, Seacoast at Trouville, 1881. Okay, look at Hiroshige's print...and look at Monet's painting. Coincidence? You decide.

Buggy Eyed Rainbow Thursday: A buddy gave me a set of giant googly eyes for my birthday. I had no idea where to put them until one of my 4th grade girls suggested my rainbow. All of my demos take place at that easel so it seemed like the perfect spot. Because of the arc of the rainbow, he always looked a little sad. That is until I attached a mini-moustache that another friend had gifted me. It makes me happy every time I see Senor Roy G. Biv. sweater and tights: Target; skirt: Anthro; belt: gift; scarf: dunno; boots: DIY here

Kikugawa Eizan, Otome, 1818 . So one Big Fat Hairy dif between Western works of art and these from Japan is that in Western art, painting a likeness was important. You won't find that in Japanese prints. Often because they are more about a story than they are the specific characters in that story.

Mary Cassatt, Maternal Caress, 1901. So I've looked at this painting several times and JUST NOW noticed the weird amputated hands. Whuz up, Mary?! They claim Cassatt was influenced by the Japanese but I'm not real sure. Maybe because of the flatness of the background? Or the intimacy portrayed which is similar to the print above? I think Cassatt would have painted these pieces regardless of the influence. They were inside of her, bound to come out.

Spring Breeaaakkk! Friday: What else is there to say? It's been a wonderful one! dress, sweater: thrifted; shoes: Chacos

Just how did I attempt to prep my students before next week's big field trip? My idea was to create a powerpoint but (brace yourselves) I've never made one. That's right, I'm fighting the 21st Century. But every time I started to create one, I just thought of all the terrible ones I've had the displeasure of sitting though. I wanted this field trip to be exciting! So I recalled a Ted Talks where an artist created exciting "notes" taken during a presentation. I decided I'd do the same for my chat with the kids about our trip. They seemed to enjoy it and didn't even notice that we talked our way through an entire class without getting up from the floor and making art. Ha! Fooled 'em!

Wish me luck on the field trip! I will most definitely have nightmares the night before (I ALWAYS do!) but I'm so excited about out adventure. I'll keep you posted. Chat soon!

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