In the Art Room: Walk Like an Egyptian

The Land of the Dead: A collection of my third grade art students sarcophagi (sarcophaguses?) laid out to dry. The kids dubbed this area of the floor The Tomb.

Last week most of my third grade students finished their Egyptian sarcophagus. We had a lot of fun with this looong project and I thought I'd share it with you. It began way back at the beginning of the school year. I remember it like it was yesterday...

Don't mess with Tut. I can't decide if I look mean or just constipated. Either one is unpleasant enough, I suppose.

I spent the first week of school dressed as King Tutankhamun (aka Tut). As King Tut, or Mrs. Tut as the kids referred to me, I introduced all of my classes to Ancient Egypt. During this introductory lesson, my third grade students learned how to write their name in hieroglyphics and create a cartouche. If you look closely at the bottom of their sarcophagus, you'll see their rendition.

After that, we got a little side tracked with other projects: a field trip to the local art museum to see an Egyptian exhibit; a school-wide t-shirt tie-dying project; and a fall leaf-relief project. With those out of the way, we were ready to return to Egypt.

When I was in 8th grade, I had art for the first time. My art teacher showed me how to draw nostrils in a way I've never forgotten: like the handle bars of a bicycle. I demonstrated many different ways to draw a nose and this student looks like he went the handle bar route.

We began with a self-portrait drawing. After a chat about portraiture, we looked at some recognizable portraits (the Mona Lisa and American Gothic) and compared them to the paintings found on the Egyptian sarcophagus. Then we proceeded to begin our own Egyptian self-portrait.

Each student was given a copy of the head above. The copy was on a clipboard and the students placed a blank paper over it. After a discussion about head shape, we traced the shape of the head onto our paper. That's right, you heard me, we traced. Scandalous, I know. We also used the dotted line as a guide in understanding the placement of our features. We used mirrors to capture our own likeness.

After looking at many Egyptian examples, students were given the opportunity to add a nemes (that's the cloth headdress), a beard (even Egyptian Queens wore them during ceremonies) and a collar necklace.

The following art classes were used to trace over our pencil lines in Sharpie and add color with colored pencils and metallic oil pastels. We had a chat about how the Ancient Egyptians created paintings that were very two-dimensional. However, we were going to learn a bit about shading and creating a drawing that was three-dimensional.

Understanding the concept of shading is a pretty advanced skill. I introduced it to the kids anyway because I don't like assuming they cannot do something. I demonstrated by choosing a flesh tone and shading my forehead and bridge of my nose in a light value forming a letter T. I then used a dark value around the outside of the head creating a letter U. That dark value was gradually lightened as I colored toward the center of the face. The sides of the nose were shaded a dark value like two capital I's. When the students got confused about shading, I could remind them by saying, "Light T; dark U; two dark I's". This seemed to help.

A very clever student and her wadjet eyes.

From there, details of the students' liking were added to their face and headdress. Metallic oil pastels were used on the headdress. Once complete, students were ready to cut out their sarcophagus.

For the sarcophagus, students were given a 3' (maybe a pinch longer) piece of butcher paper. They folded that paper in half lengthwise and placed half of a sarcophagus template on top which they traced and cut out. From there, the kids glued down their heads and their cartouche. Then the fun of planning their sarcophagus began.

This student paid a great interest to patterning detail. I love her designs.

With a piece of vine charcoal, students drew hands, crook and flail and, if they wanted, Isis, the winged goddess. Then I asked them to divide break up the space of their sarcophagus with a series of lines. Once completed, students took their sarcopha-guys to the floor and painted over their charcoaled lines in black paint.

In hindsight, painting on the floor should have been done with some sort of floor cloth. I owe my custodial friends some chocolate for that mistake.

In between the lines the students painted, they were asked to add patterns in black paint. Once the black paint patterns were complete, I broke out the jars of metallic paint which proved to be a big hit.

Not all metallic paint is created equally. We used Liquid Metal by Sargent sold through the Sax catalog. It was expensive but cheaper than spending money on junky (and often odorific) craft store metallics.

Like I've said before, I only see my kids for half an hour. Some day it was a real struggle giving directions, passing back the work, getting out supplies and then turning to the clock to see YIKES! TWELVE MINUTES TO WORK! But we managed to get them finished. And, seeing them all displayed in the halls, make the kids and I see that our looong project was well worth it.

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In the Art Room: Weird Science

The kids always know when we are going to perform a science experiment the moment I slip on the lab coat I picked up at Goodwill.
 

When we began our study of Ancient Egypt at the beginning of the school year, I stumbled upon a lesson on how to mummify an apple. Despite our short art classes (30 minutes), I decided that we would make the time for this "science experiment". So, I picked up a bag of apples, baking soda and salt from the grocery, brought in my food dehydrator, and donned my lab coat. The kids enjoyed that experiment so much that I've managed to tie in several during the course of this school year.

Lady Liberty. Did you know there are 168 steps to the top? And that she has chains under her feet to represent the stomping out of slavery? Also that one of her fingernails is as big as your lap top? Me neither. She's quite fascinating. 

Our most recent experiment ties in with our study of the Statue of Liberty. We learned that she is made of copper and that when copper oxidizes it changes from the color of a penny to a patina green. I noticed the kids where a little more than stumped by this concept. They needed to see it in action to actually grasp what in the heck I was blabbering about.

Turns out the P.E. teacher at my school is just as nuts as I am. Here we are as Lady Liberty and Frederic Bartoldhi, the sculptor behind the statue. We appeared on our school's morning sharing info on the artist and his masterpiece.

So I did a little research online and found the supplies needed for oxidizing copper could be picked up at Home Depot. When I went there, I found a couple more-than-curious employees that helped me find my supplies. I guess they don't have too many crazy art teachers coming in with requests for "just a little copper tube and some stuff to make it turn green". They sold me a tube but then referred me to Michael's for a patina kit. Muriatic acid is what is normally used to patina copper but it is highly toxic. Thankfully Michael's came through with a patina kit...however, I recently learned that Windex may have worked just as well.

The collection of pennies I happened to have in my wallet. They were a great example of the oxidation process to show the kids.

Right before the kids walked in, I decided to dig through my change for a couple of pennies. I know they handle pennies daily, so I thought that showing them the change would hit closer to home for them. I struck gold, er copper, with my collection. I love the varying change in oxidation as did the kids. We chatted about how the surface of the Statue of Liberty was covered in copper just like the pennies.

The copper tubing I picked up for a couple of bucks at Home Depot before the patina chemical was added.

Then I showed them the tubing. Using a sharpie, I divided the tubing into sections so each class could see the results of their experiment. I explained to them that the chemical I was putting on the tube would oxidize the copper, changing it to a patina. They were told that we now had to wait a week to see the results of the experiment.

After this first step in the experiment, I asked the kids the following questions: what supplies did we use? Who can trace the steps of the experiment we just performed? What do you predict the results will be? What they dictate to me is always fascinating. We have had interesting conversations on why the copper patinas instead of rusts (which I got a little lesson on from genius hubs); how chemicals cause a reaction and how this all relates back to our Lady Liberty being green like The Hulk.

After seeing this result, I realized I needed to sand the surface of the pipe to scuff it up a bit. This helped the chemical adhere to the tubing better and made the patina more even.

 One week later, we returned to our tube to find that it had indeed changed. As a wrap-up, the kids answered the questions on the second half of the sheet. You can see some of their answers below.

In all, I think it was a good experiment. It was inexpensive, short, educational and fun. Aside from this experiment and the mummified apple, we've also tried our hand at making papyrus out of rhubarb. And I've already got our next experiment in the works: dying yarn with Kool-Aid ice cubes, an idea pulled from pinterest, of course! I'll keep you posted on those results.

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In the Art Room: Egyptian Style

Portrait of the Ancient Egyptian goddess Isis created by one of my fourth grade students. I love that the artist embossed the goddess' name in hieroglyphics at the bottom of the frame.

For the record, let me just say that this lesson is not mine. I found it on pinterest, which lead me to artsonia. The image I found there showed that the middle school-aged students had watercolor painted their gods and painted their frame with metallic paint. As you can see, I altered the lesson some. It has taken my fourth grade students quite a bit of time but they are finally seeing the light at the end of the Never-Ending-Project tunnel. The kids and I are both pleased with the results so I though I'd share my version of the lesson.

Don't let the picture fool you. This photo was taken at the begin of the year before the dementors, er, students entered the scene. Now there's a drum kit where the rugs were and the third grader's half-painted sarcophaguses (sarcophagui?) drying all over the floor.

Our year long theme is the study of Ancient Egypt (really? I had to tell you that? I'm kinda like Mrs. Obvious, if you've not noticed). I chose this theme because of the Egyptian exhibit at the local art museum that the majority of my students field-tripped to.

Portrait of the Ancient Egyptian god Horus.

 This particular unit began with a sit down in Ancient Egypt where the students were told the story of the two gods portrayed on my window, Isis and her son Horus. In case you don't know the story, it goes something like this: Jealous brother Seth decides to take down his brother Osiris. Builds him sarcophagus, convinces him to climb inside and suffocates him. Wife of Osiris, Isis, sends her eagle-headed son Horus to avenge his father's death. That's what she's chatting with him about on my painted window. Confused? Well, the Ancient Egyptians believed in hundreds of gods, some animal, some human and some a combo of both, all with strange tales of their own. Needless to say, to the average 10 year old, the stories are fascinating.   

Ancient Egyptian god Osiris who is often depicted the color green. We're guessing it has to do with all that suffocating business.

After learning about the Ancient Egyptian gods (with an emphasis on the fact that these are false gods), students were given a handout with a list of about a dozen gods, their back story and their image in profile. After they chose one that piqued their interest, they began to sketch out their god in pencil and trace their lines in sharpie.

Learning the fine art of metal tooling.

From there, I introduced colored pencils. I briefly chatted with the kids about coloring and let them have at it. It was a total disaster. After creating such beautiful drawings, I was disappointed that their coloring skills were lacking. Or, rather, their art teacher had failed to teach them some important things about shading, value and blending.

So I backtracked. I created a colored pencil coloring sheet (don't stop reading, hear me out) that involved creating a gradation of values. There was also a little review on color theory. Some got it and applied it to their drawings and some didn't. But it did improve their application of colored pencil greatly.

Once the gods and goddesses were complete, I introduced the kids to Ancient Egyptian symbols. We looked at symbols we see and recognize everyday (hearts, peace signs, smiley faces, etc.) and discussed how the Egyptians used symbols as well. Using a 3" by 4" piece of styrofoam, the kids chose a symbol that they felt related to their god and engraved it into the foam.

I love the tooled metal design on this frame.

As you can see from these drawings, the ankh was a very popular symbol with the kids. When printmaking, I set out two trays of ink and brayers for each table of four students. Working with a partner, the kids printed for several art classes. One day we printed with metallics and the next, we tried our hand at rainbow printing, which they loved. It was an absolute mess and sometimes frustrating for both the kids and myself. But by the last day, they were printmaking fools.

Anubis.

Last week, we started the metal tooled frame. I have five rolls of tooling metal in red, blue, green, gold, and silver. We chatted about embossing, looked at Egyptian patterns, recalled hieroglyphics and symbols. With dull pencils and a foam board for cushion, the students managed to complete their frames in just a few classes. I've been dangling the carrot of weaving over their heads, so they are more than ready to move on. I began assembling the works of art yesterday in my excitement to see what they would look like. 

I don't know if you can tell, but the images of the gods are three dimensional. Pieces of foam core were glued underneath to raise them up. I also hot glued the metal frame to the construction paper because the edges are sharp and that metal gets as hot as a mother with hot glue on it. Oh, convection, how I hate you.

In all, I thought this was a pretty successful project. We managed to learn about drawing, shading, printmaking, metal tooling and just a smidge of Ancient Egyptian history. I am so thankful for pinterest and the art teacher behind the original lesson.

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