DIY: Tree Skirt to Lady Skirt in 60 Minutes or Less

This year, we started a weekly sewing group at my school which is strictly Adults Only. As soon as the kids are piled onto the bus and sent on their merry way, we clear the tables of art-making shrapnel (because, let's face it, it always looks like a craft store exploded in my art room), bust out the ironing board and sewing machines, mix ourselves a coupla drinks (coffee, that is) and set to work. Most of the lovely ladies that attend have little sewing experience which makes me their (completely inadequate) leader. Frightening thought, no?

Now what I love about this group is that they are fearless. When we first began, we all tackled the same project: A Reversible Waist Apron. Once that (first time for many) project was finished, these sewing rockstars were ready to tackle anything! So far they've created such sewing wonders as more aprons, a stocking, baby clothes, grown people clothes, etc. You name it, they're gonna make it. 

So when one of them shared a pinterest pic of a tree skirt gone lady skirt, there was a collective "Eeeee! Let's make one!"

The vintage pattern I used was Simplicity...and it might have been a little too simplistic for my taste. You see that wee gap at the back of the waistband? Totally not addressed in the pattern. No add a button, stitch in a hook and eye, staple together, none of that! I'm thinking of adding a hook and eye...but for now the prob was solved with a black belt-addage.

Since I'd be helping these ladies along (and because I was SUPER excited about this idea), I decided to get a jump start on my tree skirt makin' and trouble shoot the making of such. First step: Finding the Perfect Tree Skirt. I knew I wanted it cheap and vintage (exactly how I like my wine) and a quick trip down etsy/ebay lane lead to the click-to-buy purchases of this little lovely and that denim number a coupla photos down.

When I blabbed about it on Facebook, several buddies reminded me of this episode of Designing Women where Bernice dons a tree skirt and the following goes down:

Mary Jo: Bernice, why are you wearing your Christmas tree skirt?
Bernice: Well, this is the skirt you gave me for Christmas.
Mary Jo: Yes, I know. It's not to wear. It's a Christmas tree skirt. You're supposed to put it around the base of your Christmas tree.
Bernice: Oh! Well, no wonder. I like to never got this thing on. I finally just let the waist out and tied it with a belt.

And that's TOTALLY what I did! 

(P.S. Should Mary Jo REALLY be throwing stones when she's wearing shoulder pads AS BIG AS HER HEAD?! Me thinks not.)

But before we get into all that, lemme just tell you that this skirt is huge. Add a crinoline underneath and it's huge-er. So much so that one 2nd grader inquired, "What's under that thing that makes it so poofy!?" At one point my wide-poofy-ness totally swallowed one kindergartener and knocked down two others. AND at bus duty, the whole skirt decided to blow STRAIGHT UP in the air. Thankfully, nobody saw that happen...or so I thought until a dad walked up behind me and said, "Be careful of that wind!"

Doggone poofyness.

So, just how does one go about turning a tree skirt into a big a$$ poofy lady skirt in 60 minutes? Well, get yo'self a tree skirt. There are some cute ones at Kohl's, Marshall's, TJMaxx, yo mama's house, you name it. If you shop online, make sure that you check the diameter of the skirt. I chose ones that were between 45-50". 

STILL can't find one? Dang, you are picky. Use a cute round tablecloth! 

Then, if you can get your kitten mittens on a circle skirt pattern, that might make your life easier, but it's not necessary. Measure your waist (always a pleasure) and create a paper circle that has the same diameter. With that, simply open your skirt (or tablecloth), center the circle and cut it out. From the circle, decide where you want the back to be (or side if you want to have a side zip) and cut down 9". Then, try on the skirt and make sure your hips can fit comfortably through the opening. If so, let's move on! If not, cut a little more until they do.

Circle skirt pattern friends, you got it made. Add the pattern to your skirt and cut. Here I am cutting the waist of the skirt to size. You can see the original tree skirt opening above my pattern.

Now my skirt was not open at all, as some tree skirts are, it simply had a hole in the center. So I proceeded to cut all the way from the opening to the bottom of the skirt. Which was super stupid. I shoulda just cut that length of the zipper. Sometimes my brain is off. Since I had cut to the bottom, I followed the directions above. I trust you can read 'em cuz I'm too lazy to type. Been a long bossing-children-around kind of day.

When it comes to adding zippers, I ALWAYS use this Scotch Tape trick. You can read the details here (again, too lame to move fingers around the keyboard for you). Once that little detail was complete, I created and attached the waistband. 

To create the waistband patternless, you'll need to cut a piece of fabric (I used denim because it was thicker and stronger than cotton and could handle the weight of my skirt. Because she's a heavy b%tch). The fabric should be 4" longer than the waist of your skirt and about 4" in height. Attach that to your waistband with right sides together and stitch. Once attached, fold waistband up and iron. Now, fold waistband in half lengthwise, tuck a 1/2" under and sew a topstitch across the waist. Those extra 2" on each side? Tuck them on the inside of the skirt and topstitch the crap outta 'em. 

Wow. Awesome directions. Do you see why I kinda feel sorry for those ladies in the sewing group?

Yayness! One Tacky Tree Skirt complete, one to go! Which is after I said, "no more Christmas clothes!"...meanwhile there's a felted sweater in the works and a dress on my cuttin' table. I've got Christmas-itis in a bad bad way.

Later, kids!

DIY: An Embroidered Fall Blouse

   

I'm interrupting my own blog post to share a coupla things with you: I was recently interviewed by The Art of Education about my (often disturbing) wardrobe choices and how I use that as a teaching tool in the art room. Jessica of AOE wrote such a flattering article, I can't thank her enough (check's in the mail, gurl)! I'd also like to announce that I'll be one of the presenters at The Art of Education's online conference! You can keep up with details of this on my facebook page and The Art of Education's page as well. Okay, back to my usual ramblingness.

Over the Thanksgiving holiday (for which I had a whole week off! Don't hate. Ain't my fault the Turkey Fairy don't like you), hubs and I traveled quite a bit. Our first stint was out to California where we hiked, shopped and Disneyland'ed ourselves silly. Possible travel post to come if I can shake this lazy-itis I've been fighting off for the last, oh, 38 years. 

Now I know I've told ya that I really only embroidery when we travel. It's not my most fave craft in the whole wide world but it does travel well so I like to partake when flying or road trippin. And I was actually looking forward to that long flight back to Tennessee to finish this bad boy...that is until our 4:50pm flight was delayed until 8pm. Which wouldn't be that big-o-deal except for the fact that we'd been there since 2pm because hubs is an ever-so-slight spazz-o when it comes to getting the airport in a timely fashion. Because, when traveling with that dude, there is no "fashionably late" there's only "awkwardly early".

Airplane embroidery studio. Turn on that overhead light, drop down that drink table and get to stitchin.

When we finally boarded the plane (which was now slated to land at the lovely hour of 1:30am) and got ourselves settled in, the captain decides to get on the intercom and play Comedy Hour:

Cap: Folks, this is your captain speaking (really?! Why must they always introduce themselves that way? I mean, who else in the world addresses people as "folks" besides an airplane captain?) We're sorry for the delay. We had to change planes because the plane we just landed practically EXPLODED when we hit the runway!

Plane "Folks": Awkward silence. Uncomfortable shifting. Random cough.

Cap: So! We are gonna fly this plane super fast and make up for lost time (yes, he actually used the words "super fast". Terminology learned in flight school, I'm sure ).

Now, for some reason, I've developed this slight fear of flying over the last couple of years. It really only flairs up when we hit turbulence and I just know the whole plane is going to go down in one big ole ball of flames. Which is why I love sitting in the exit row. Not so I can be some sort of hero (despite what I swear to the stewardess) but because I wanna get off first in true so-long-suckas fashion. So, when things started to get a little bumpy, I went all white-knuckle on the arm rests and Capt. Comedian got on the intercom:

Cap: Folks, this is your captain speaking (really?). Things are going to get a bit bumpy due to some winds out of the Northeast (why do they think we care about this stuff?! I don't give a flip where the winds are coming from, just fly around 'em and make the plane stop bouncing like a trampoline!) So I'm going to ask that you stay seated and buckle your safety belts. Thank you. 

(and then...the worst happens...)

Cap: Flight attendants, discontinue drink services (um, excuse me?! I'm expected to survive this Airplane Bounce House without my grown-up bevvy?!). Take your seats imm--

 And, then, like outta some airplane horror movie, the intercom cuts him short and goes to static for the next 10 seconds. And he never gets back on the intercom.

The lady across the aisle does the sign of the cross. I'd follow suit if my nails weren't digging into the thighs of the stranger to my right. He doesn't even notice because he's fervently reading the safety manual like he's cramming for an exam.

I love this super sweet book and it's illustrations. This Japanese author uses poems and stories to explain how to draw the animals. I used her illustrations of deer as the inspiration for my embroidery.

Needless to say, this story ended with us (practically crash) landing at the lovely hour of 2am with the pilot delivering this epic summary as we frantically unbuckled our safety beats, unsilenced our cell phones and yanked carry-ons outta the overhead: 

Well, folks, we made it. 

Seriously? Have they thought about making these pilots take a mandatory speech class? 

 Whatevers, my embroidery was complete. Speaking of, since this is a DIY post, I suppose I should chat a moment about that, doncha think? I've had this dress (that's right, this isn't a blouse at all but a too short and clingy dress that, after wearing as a dress just once and receiving the evil eye from grandmas everywhere, I banned to the back of my closet). This dress is the sister to this navy number which I also embroidered a while back. That one's a size up and slightly less grandma-offensive.

I settled on a fall theme for this brown dress. Using a white colored pencil, I sketched out my design directly onto the cotton and set to work. You can read how-to directions of stitches in this post where I embroidered a wee necklace.

By the way, these photos were not taken in Cali. After returning home for just a day, my mom drove down from Indiana (thanks, mom!) and we drove to Birmingham to stay with my in-laws (thanks, in-laws!) for Thanksgiving. This is the view outside their lovely home.

I always convince myself that embroidery takes no time at all when it truly takes me forever. Especially all of those doggone fall leaves. Which is the reason I really only embroider when I have to like when we travel.

I've spent some time debating whether or not that squirrel should stay or go. I can't decide if he belongs or he's outta place. Whatcha think?

One thing I do know: he's not givin' up that nut.

Once the embroidery was complete, I decided the plain dark brown buttons had to go. But I only had a few of these yellowish brown ones...so I decided to alternate.

And there you have it! One fall-ish embroidered blouse/dress for your December 1st viewing pleasure. Whoops, sorry. Totally meant to share this with you sooner. Now this blouse/dress is tucked away with the rest of my fall wardrobe (what, you don't organize your closet by seasons?) I've busted out the Christmas wear and I'm ready to showcase my most tackiest of attire!

Well, folks, until then, avoid those nasty winds outta the Northeast and have a great week!

In the Art Room: The Magritte Project, Two

I'm sure ya'll remember that Mammoth-Magritte-Mural I previously rambled about (I mean, you'd have to unless you suffer from short-term memory loss. Which sometimes I worry that I do. I mean, I know everyone says, "oh, I walked into this room and totally forgot what I came for," but I'll drive all the way to the grocery store, stock up on moisturizer and People magazines and totally forget food. Pretty sure if I try to serve hubs Pasta a la Aveeno one more time, he's gonna demand I start taking my meds...again.)

Speaking of short term memory...what was I just talking about?!

Ah, yes, Magritte. I do remember I told you that this particular project is like the gift that keeps on giving. Because after the kids cut out their day and night birds (go here if you are confused), it turns out I only needed one for their mural. Any more and it woulda looked like a scene outta Hitchcock's The Birds. This left them with either a cloud-filled or star-studded bird for the project you see here.

Magritte's The Return was the inspiration behind these small works of art. And, by small, I mean the paper was 9" X 12". We usually work twice as large in the art room despite our half an hour art class time constraints. But I had a sneaky suspicion that this whole tissue-paper collage thing just might take for-evah. Turns out, like sooo many things, I was right (hubs, are you reading this?! Say it with me: I. Was. Right. I know this has nothing to do with you, I just like to hear you say it!).

This spin-off project turned out to be a hit with the kids. They learned about analogous colors, creating contrast, making a collage landscape all while working with an art material they'd not used in a long time: tissue paper. Lemme tell they went about creating these works of art. 

Bonus: You'll hear the story about how a third grader taught me the correct name of my favorite art supply. Deep stuff, I know. Read on.

In my last post, I told you about how the kids were given 12" X 18" pieces of paper on which they were to paint a tint of blue and a shade of blue. These colors were premixed so that the colors in our mural would be consistent. I know, I'm a control freak. Once those were dried, the kids added clouds and stars in oil pastel. From there, they flipped their paintings over and traced the day and night bird templates on the back. This yielded two birds, one for the mural, one for this project, and an awesome negative paper to be used in the future.

ACK!! I must pause this post and tell you why this scene made my hands sweat and caused the following convo:

Me: WHERE IS YOUR MESSY MAT?!

Kid: Um. My what?

Me: YOUR. MESSY. MAT. You're getting Modge Podge all over the table. 

Kid: Oh, sorry...(attempting a distraction technique) but don't you like my beautiful nighttime sky?

Yeah, I do. Le sigh. Those kids. They get me everytime. 

On the first day of this project, we looked at Magritte's The Return and had a long chat about two things: contract and analogous colors. We noticed how Magritte used a contrasting sky to make his bird stand out. Then we talked about ways we could do that in our sky without making just a blue daytime or black nighttime sky. This led to a chat about the different times of day and the colors you might see. Then I focused on the color wheel. I told the kids that they were to choose four pieces of tissue paper that were analogous in color. I placed a color wheel on each table to help them along. Once their four colors were chosen, they were to hold the tissue paper up in the air so the rest of us could see what they'd chosen and decide if there were indeed analogous. From there, they commenced tearing the paper into strips.

Now, just a note on that. I noticed that the paper has a grain. Meaning it will tear in nice long strips going one way, but the other direction it tears in short pieces. There is no way to know the grain, it's just a matter of tearing. Torn pieces of tissue were kept in labeled envelopes for the next class.

And a note on adhering the tissue paper. I asked that the paper go horizontally as clouds would move across the sky. I demonstrated how to apply a thin layer of varnish to the paper, place tissue on top and then apply another layer. When applying second layer, start in the middle of the tissue paper and brush outward. This prevents those annoying and unsightly crumpled pieces of tissue paper.

EEK.  Yet another cringe-worthy photo: scissors dangerously close to varnish brush...paper waaay off the messy mat...one of those rubber band bracelets that are going to be the end of meeee. Deep breath, focusing on lovely work of art. Whew. Okay. Better now. Back to whatever I was rambling about...

I had folded the paper so there was about 2-3" at the bottom for the horizon line. Once their sky was complete, the kids could dive into my massive box of sparkly fabric and create stars, a moon or a sun and clouds. This was applied in the same manner as the tissue paper. By the second art class, most skies were complete.

For the land, the kids were to choose two different colors of green (a couple even opted for green fabric), tear into large pieces and adhere to the bottom. This took them no time at all.

Once their landscape was complete, the kids were to glue their birds. I had them play around with the placement of the bird until they settled on a composition they liked. For a little pop, I used my paper cutter to slice a million little pieces of foam core. The kids glued about 5 pieces of foam core to the back of their bird and then glued that to their piece. I love the subtle 3-D element and it also introduced the concept of relief sculpture to the kids.

Now I know some of ya'll are stick-sun haters but how you gonna hate on this?

And now for a moment of art teacher humiliation. As if that doesn't happen about a dozen-twenty times in a day...

Kid: Mrs. Stephens, why do you call that stuff "Modge Podge"?

Me: (holding up the jug of stuff so the kid could see the label) Because that's what it's called, see?

Kid: Then why does it say MOD Podge?!

Wait, WHAT?! 

And that's when my teeny-tiny brain was blown. I looked at the label and, sure enough, the stuff that I'd been calling Modge Podge for years is indeed called MOD Podge. Wah-hut?! How in the world did I not catch that? It's toootally got that rad 1960's mod-style label.  

Please, puh-lease tell me I'm not the only one that's been calling it that. And please tell me why none of yous never corrected me on my ignorance? Have all ya'll been laughin at me (more than normal) behind my illiterate back?! JUST as I suspected, humph!

Whatevers. This Thanksgiving, I'm placing MOD Podge on the long list of things I'm thankful for...my lack of reading skillz, not so much.

Speaking of, I hope you have a wonderful Thanksgiving, friends! And, if you don't celebrate such, just pat your bottle of Mod Podge fondly on the head and think of me. I'll be back soonish with an embroidery project I'm just Thankful to be finished with. 

Until then, have a great one!

In the Art Room: The Magritte Project, One

Ya'll might recall that we are experiencing a bit of Magritte-madness in the art room. It started when I settled upon him as our Artist of the Month, got all surreal and wore this Magritte-inspired get-up to school and decided the third grade could/should create a mural as epic as this one by our fourth grade.

And, standing at 9' X 12', weighing in at 10 lbs, I'd say this thing went beyond epic and hit Mammoth Magritte-dom. Which is perfect for my third grade as this thing is as big (and surreal) as their personality.

The whole thing started when I hung up this piece by Magritte for the kids to chat about during our "What do you SEE? THINK? WONDER?" time. When I overhead the Deep Thoughts (not by Jack Handey) of the third graders, I knew I had to create a project that turned this spark of interest into a big fat hairy fire. You know, because the Fire Marshall isn't going to lose his sh** enough when he sees that mural.

I used these couple of books to help introduce Magritte. I began by reading the fictional Dinner at Magritte's which was awesome because there is something surreal taking place in each illustration. After reading each page, we'd attempt to find just what that was. This really helped the kids understand the concept of surrealism: objects that are real but combined in such a way that they couldn't possibly be real. This was followed up with by surreal-themed art homework. Of course we had to read Mike Venezia's book on the artist. The kids love his books.

During our study of Magritte, I had the kids look at another painting of his and list all of the nouns they saw. As they said things such as bird, sky, water, ocean, sunset, clouds, etc, I wrote them down on small pieces of paper and threw them in a little box marked nouns. Then they had to come up with adjectives that described the painting and I proceeded to do the same thing. I then drew two nouns from the box and one adjective such as Clouds, Sunset, Stormy. The kids were given a small piece of paper and two minutes to create their own surreal drawing. This proved to be a short and fun assessment tool.

After that, I told the kids that we'd be creating a Mega-Magritte Mural. Now, I'm all about stressing individuality in my room, as I'm sure you are too. But we had to chat about working collaboratively on this mural. I explained to them that it was like a big ole puzzle and that we all had to work together to make the pieces fit. With that in mind, the kids were given a piece of 12" X 18" piece of paper folded in half vertically. At the top, they were to use horizontal brush strokes and paint a tint of blue while at the bottom they were to paint a shade. Once these dried, we added clouds and stars with oil pastels.

The following art class, I placed a couple different bird templates on the tables. I thought the mural would make more sense visually if all the "daytime" birds were flying in one direction and the night in the opposite. I knew that this concept might be difficult for the kids if I didn't make my directions very clear. My solution was to write Day and Night on the birds. They were to use the Day birds on their daytime sky (tracing on the back to hide those unsightly pencil lines) and the Night birds on the nighttime sky.

Now it just so turns out that this art project is going to be like a gift that keeps on giving. I love how their negative space papers look! I'm dreaming up another Magritte-inspired project for these pieces. Any thoughts on what they could collage/paint/write/draw in those negative spaces?

By the way, the trick to getting the kids to cut so that they end up with that great negative paper was to tell them that they could only cut with one point of entry. Usually I'm all about cutting off the excess paper as I cut because it gets in the way. However, after I showed them how cool the negative paper would look, they were careful to cut slowly and only have one entry and exit point cut. This initial cut was taped back together after the bird was cut out.

Now I have five 3rd grade classes with about 17 students each. At first I thought we'd need both of their birds for the mural but it turns out, they only needed to donate one. I allowed the kids to choose which one they'd like to give to the mural and which to keep for a future project (to be shared with you next week, I can't wait!).Which is why this post it titled The Magritte Project as I think we'll end up with three pieces as a result.

When finished with their cutting, I laid out huge pieces of blue paper for the kids to begin painting the clouds. We painted a lot of cloud papers. Some got used in the mural...some will be used for our display of the other Magritte-inspired masterpieces.

I used black bulletin board paper and hack-cut a horizon line. Once everything was complete, we started to day it out on the floor in the art room.

I'm fortunate that I have the floor space for such big endeavors. The other kids (and adults) were super curious about what the 3rd grade was up to, so I created this sign to help explain our work. Because, honestly, if I had to answer the question "What's that?!" one more time, I was a-gonna scream

Now most of my little friends know not to walk on artwork on the floor because in my art room, artwork is always all over the floor (I have a love-hate with my slightly-angled/can-cause-drips-and-paint-runs drying rack). So I also created some make-shift construction cones with orange paper and my gallon paint bottles. And I STILL had at least two kindergarteners walk right through the mural? Really?! Sigh.

By the way, do you see that huge roll of orange paper my mural is on? We just happen to have a ton of this stuff and it's what we've used to glue both the Warhol mural and this one two. It works great as a base to our murals. I use a combo of spray and hot glue to adhere it to the paper. It makes my room smell magical and I see stars for up to a half hour after the fact.

Magritte's Dominion of Light was also used as inspiration in the mural. A couple of my students painted that while others used circle sponges to create the dots.

I am fortunate to have some great volunteers in the art room. They worked on hot gluing the birds in place and adhering the bulletin board paper to the large roll of orange paper. With the help of one sweet volunteer, I was able to get the mammoth mural up right outside my art room door. It so fun to see whenever I leave the art room. Of course, the kids were thrilled with their hard work...even if they were under the impression that their mural should "cover up" the fourth grade one. 

Stay tuned for more Magritte-madness. Until then, enjoy your weekend and we'll chat soon!

What the Art Teacher Wore #82

Monday: I wore my new necklace! And totally felt like I was wearing a chain of Gobstoppers all day. It's a lotta balls but can you really have too many? necklace: DIY here; dress: thrifted, vintage; belt: from another dress; pink fishnets and blue tights: Target, maybe?; shoes: Anthro; shoe clips: thrifted

Whilst doing bus duty this afternoon, I had two interesting conversations with the under-10 set. My first was with a second grade girl. It went a little something like this:

Second Grade Gurl: Mrs. Stephens, look at me! 

Me: Okay. I'm looking. What?

SGG: This is Thee Cutest I've been all year! (said with a flourish of the hand from her head to her feet) I NEVER get to wear cute things because, you know, I have brothers (eye roll and sigh).

I had to give the poor kid a knowing nod. Say no more, sister. I taught those brothers.

After she boarded the bus, a fourth grade girl stopped dead in her tracks and said:

I'm not getting on that bus.

Me: Uh, yeah you are. 

FGG: No! I'm going home with you!

Me: Really? And what do you think we'd do at my house?

FGG: Watch t.v.!

Me: Sorry. I don't have a t.v. 

FGG: Really? That's gross.

The kids is crazy. And with the full moon, the crazy weather we've been having and the fact that we are a breath away from Thanksgiving Break, the kids are even crazier. Which I didn't even think was possible.

If you scroll down a pinch, you'll see the Rene Magritte-inspired mural that my third grade students have been working on. What I didn't realize until I posted that photo on Facebook and it was pointed out to me, but their mural also bears a striking resemblance to some of the work by M.C. Escher. So I thought I'd share his work with you in this here post.

So Maurits Cornelis Escher (is it any wonder why he went by M.C.? Duh, because Master of Ceremonies, yo!) was a Dutch artist who lived from 1898 to 1972. Can you imagine living thru that time in history?! Wow, the changes he must have seen. Escher was a not considered a good student in elementary school and repeated the second grade. I can't imagine how he'd far in schools these days what with the constant testing and hoops to jump through. His genius would have been given a label. I wonder how many genius kids among us are going through that very thing right now. Okay, stepping off El Soap Box.

Star Wars Tuesday: So the Star Wars soundtrack I ordered for the kids came in and we blasted it in the art room. The only prob is that opening song is loud and proud which got the kids all ramped up. I had to switch back to Harry Potter for a couple classes (ya'll, that CD is THE BEST at calming the kids down) but we did listen to the Cantina Band song for clean up. Star Wars dress: made by me, DIY here; jacket: old, Modcloth; tights and boots: Marshall's

Totally Escher-esque, right? The third grade have been learning all about Rene Magritte (you can see my artist outfit here) creating these night and day birds and painting clouds for the mural. I'm hoping to have it up and ready to share with you soon. It actually looks a lot different now, this was just the kids laying out their birds.

Seriously. How did I need see the connection? So it turns out that after spending some time in Italy (which just sounds lovely. Let's go, shall we?), Escher was influenced by some intricate and geometrical designs he saw sculpted into the walls and ceiling of a castle. This sparked an interest in repetitive and interlocking patterns that would become his signature style.

Wednesday: I don't remember anything about this day. It must have been a wild one. I bet I had kindergarten on that day...which is why I remember nothing. sweater: thrifted; dress and shoes: Anthro; tights: Marshall's

Now, I'm not much of a fan of math but it appears that those that dig math, also dig Escher. And while he wasn't trained in math, Escher had a great understanding of it visually which is best seen in his tessellations. I've always been amazed by his drawing skills and the magic of his work.

Hot Pink Thursday: This dress required that hair. It was a prerequisite. dress: vintage; tight: Target; shoes: dunno, I can't see 'em and I can't remember. That's pretty bad.

I think introducing Escher to the kids will be fun. And while Escher's work appears surreal, I don't know if he really falls into that movement being that he came upon the scene later. What do you think? It will definitely be a fun follow up to our unit on Magritte. Have you art teachers taught Escher? Do you happen to have a favorite lesson that you could share because that would be totally rad.

Show Your Tats Friday: It never fails, when I wear these tights, I get the constant question: Are your legs tattooed?! Naw, kid. It's just sharpie. I got bored when the last class was in my room. sweater: vintage, thrifted; top: gift from a friend; skirt: Marshall's; tights and necklace: Target; shoes and belt: Anthro

I love Escher's work. I really dug it in high school and then went through this seriously snobby phase in college because every other dip in my dorm had either an Escher or Klimt's The Kiss hanging in their room. However, after doing some digging (and uprooting my dorm room posters, ahem), I've got a new appreciation for the dude. I'm excited to dream up a lesson based on the work of this incredible artist.