Field Trip! Visiting the Artist Miranda Herrick

This summer, I had the chance to visit the artist Miranda Herrick at the gallery where she works, Bennett Galleries. In an attempt to bring living, breathing artists to my students, I've been working on a video series called Field Trip! In this series, I visit the space where artists work and/or create and interview them about their process. Miranda's work is super unique in that she does a lot of her creating with recycled goods. In fact, this series of work is made entirely with recycled aluminum soft drink cans. I really think her method of creating is something students in middle and high school could also do. Here's a video of her walking us through her process:

I love so many elements of her work from the recycling to the idea of meditation to the notion that her work can be changed like that of a kaleidoscope. I also loved that she shared her inspirations...and that they ranged from her grandmother's quilts to Islamic tile work. 

 I've not tried to cut aluminum cans but Miranda made it look so easy. I really would love to explore this avenue of creating on my own...but, I don't know about my students. Ideally, my fourth graders should be able to cut this material. But, honestly, I'd be worried about them harming themselves. It will definitely be something I'd explore on my own before bringing a project like this to my art room. However, I do think that sharing this video with them will be fun!

 Someone recently asked me how I go about sharing these videos that I've created. I share them when they tie in with a current lesson. They also come in handy when I have to be absent and need a video to share with the kids. I've also shown snippets to my early finishers as they relax and use the dry erase boards on the floor. 

 Love to know your thoughts! And feel free to use the videos I create in your art room...that's why I share them with you.

 Now, when it comes to Miranda's drawings, I do see a way to tie-in. I really think they would be fabulous at teaching mindfulness and meditation. I am excited to bring this lesson to my student's sketchbooks. I can see even a collaborative project based around these. So many thoughts are in my head! 

 Um, can I get a wall of these in my home, please? 

 In case you've missed the other videos in the Field Trip! series, here you go:

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Field Trip! In the Studio with Becca Jane Koehler

This summer, I had a wonderful chance to meet and hang out with the artist Becca Jane Koehler. I initially met her at our local HUGE craft show where she was a standout (and recognized) for unique pieces. I chatted with her a bit at the show and managed to grab a card...I knew she would be a wonderful artist to share with my students. On my YouTube channel, I have a playlist titled Field Trip! which is where I seek out and interview artists who share their process with me. I've filmed folk artists, painters, ceramicists, printmakers and now, Becca Jane! Here's the video:

I share these videos with my students either as inspiration for an upcoming project...or simply for them to get a peak behind the art makin' curtain. You are more than welcome to use them in your art teacherin' world!

You can see more of Becca Jane's work on her website. Personally, I love following her on IG because she's got a style that I really love. I also think my students will love her work and her process as well. 

Before meeting her, I had no idea that many of her pieces were made with slabs of clay. I can totally see using this method with my students. I'm excited about the idea of creating my own plaster molds to use in the art room. Have y'all ever done that? I'd love to hear details!

In the video, I mention the co-op where Becca Jane creates. It's the Clay Lady Campus and it's simply AMAZING. If you are in Nashville and never been, you gotta go. And if you are ever passing through the area, be sure and drop by, it's worth the trip. The Campus has an art gallery where the artists who create in the space sell their wares. The prices are very reasonable and I always find myself walking out with a bag of ceramic treasures.

While you are there, an artist will pop up and volunteer to give you a tour of the campus. Be sure to take them up on the offer! Becca Jane gave me a tour after our filming and I met so many amazing artists...and got a chance to see their creative space. 

Danielle McDaniel, aka The Clay Lady, is super awesome. I met her years ago and she seriously taught me everything I know about kiln fire clay. Be sure and check her out, even if you are not local...her books and resources are priceless!

I am loving the sgraffito method that Becca Jane uses. I did this method with my students years ago...and now I'm inspired to bring it back. 

Isn't it amazing, watching an artist create? It always looks so easy. Even as a person who creates, I'm always enthralled when I watch others paint, draw, thrown on the wheel. Mostly because I know it's not easy and hasn't come without a lot of work and patience.

Loving that green!

Big thanks to Becca Jane for sharing the magic of her creative process with us!

And, of course, sweet Eleanor! 

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Art Teacher Travels: Wayne White in Chattanooga, TN

Despite the fact that I was just a pinch older than their target audience, I spent my early teens living for some Saturday morning Pee Wee's Playhouse. I acted like it was bonding time with my younger brother but in reality I just couldn't get enough of the show. The silliness and childlike behavior of Pee Wee definitely drew me in but what I really loved where the other characters and the amazing set...which all my retro dreams are made of. I know I'm not alone in my affection for all things Playhouse: my art teacherin' buddy Stephanie and I threw our friend Mallory a Pee Wee's Playhouse themed baby shower and I even stitched her up some Pee Wee-inspired bibs! I like to stay in Pee Wee-loving company. 

It wasn't until years later that I discovered one of the creative geniuses behind the look, design and a good amount of the characters of Pee Wee's Playhouse, not to mention the puppeteering, was Wayne White. The documentary about Wayne, Beauty is Embarrassing, was recommended to me and it blew my mind, y'all. If you have not seen it, please do. You can thank me in bowls of ice cream soup. 

At the end of the documentary, when asked what his plan was to do next, Wayne says that he's going to build puppets...and that he did. But I'm getting ahead of myself. When I heard that there was an interactive exhibit of the history of Chattanooga, Tennessee, Wayne's hometown, created by the artist, I knew I had to go. It's titled Wayne-o-Rama and it's just about the best thing ever. This show closes September 30th so I strongly encourage you to go and check it out. In case you can't make it, here's a short video I created for my students to share this exhibit with them. Feel free to use it in your art teacherin' world:

So fun, right?!

Mitch and I drove there one Saturday. After a pretty two hour drive (hilly east Tennessee is really pretty amazing), we pulled up at an unassuming building. Inside, we were greeted by two super helpful folks who explained the small but mighty exhibit to us. In the first room there was this diorama, I guess you could call it, of Chattanooga.

 If you've never been to Chattanooga, it's pretty famous for it's incline, Lookout Mountain, Ruby Falls and Rock City, among other things. The drive to the top is twisty and turny, just as the diorama shows. Your ears pop; cars swerve out of each other's way; it feels a little dangerous but in the very best way. At the top, you find cottages that have been there for ages next to a brand new Starbucks. Unfortunately, it's a bit of a racket to take a tour of the mentioned sites but, hey, somebody's gotta pay for their lattes, I suppose. 

Mitch and I used to go to Chattanooga quite a bit when we first started dating. Here we are at Lookout Mountain in a photo that looks like it was taken a lifetime ago. I'm gonna say at least 17 years past...he's much hairier and I'm much less mom-jeans-y. Really, what IS that groin bump I have goin' on?! The late 90's were dark days, y'all. Dark.

At the exhibit, we learned that Wayne drew out the sketches and designs for the exhibit and volunteers came in and followed his lead. I was so sad to learn that I'd missed out on such an incredible opportunity to work under the directions of the artist. I woulda come and spent a Saturday painting dude's toe nails if he'd asked me!

This portion of the exhibit also put me in the mind of Mr. Roger's Neighborhood and the vintage rides at Disney. It was retro and magical, a perfect combination.  

 Imagine if kids could learn about history with interactive exhibits like these. They'd love to come to school and they'd never forget the experience!

 In the same room, just off the left, were the giant puppet and displays of other significant folks in the history of Chattanooga. The exhibit was described like this, "Wayne has saved his most personal, meaningful ideas for Wayne-O-Rama with several goals in mind. He wants to bring a sense of play to art, to pay tribute to his Southern roots and to inspire and stimulate the imagination of a new breed of Tennessee artists – from the youngest to the oldest – and encourage and foster creativity in everyone."

To think that Wayne had this dream and goal, laid out his plan, worked like crazy and made it come to life was so inspiring for me. I have some big dreams that I'd love to make happen but I often allow myself to get hung up on the "I don't know how's" and give up too easily. I love that Wayne didn't let that cloud his vision...he just went for it. And went for it big.

 I love that in Wayne's work, there are no secrets. You can see what materials he's working with, how the parts are attached and how they operate. There are no smoke and mirrors, no perfect pieces and clean edges. It's expertly primitive. Masterfully messy. I love that about his work.

The cardboard puppets were some of my favorites. I would have loved to see this work in art school, it would have blown my mind. If only I'd known the artist behind Pee Wee's Playhouse back then! 

 I couldn't stop snapping photos and making videos. I loved that I was able to. I know my students are going to be so inspired by Wayne.

Did any of y'all have to do that ridiculous assignment in your 3-D class in college where you had to create a chair made from cardboard that could both support your teacher and be aesthetically pleasing? Yeah, if only we'd been tasked to do something much cooler, like this. By the way, my teacher totally fell on her rear when she plopped down in my chair. Needless to say, I failed that one. 

This giant telly with the black and white screen was my favorite. This one was made from cut pieces of wood and gradations of gray. 

This one might have been my favorite.

 The giant puppets aren't merely for display. They've been used in parades in Chattanooga. In fact, in Beauty is Embarrassing, you can see Wayne operating some of the puppets. 

I'm not sure what is going to become of the pieces in this exhibit when it closes in September...but I do have some room at my house. Just sayin'. 

After leaving Wayne-o-Rama, we had lunch before heading over to the Hunter Museum where they were also having an exhibit of Wayne's work titled Thrill after Thrill: Thirty Years of Wayne White. This exhibit closes the day after Wayne-o-Rama. Y'all gotta go if you can. 

Lemme just say, I'd not been to Chattanooga in a couple of years and, man, that city is pretty stinkin' sweet. I has a very rich artsy vibe with galleries and smaller museums located near the Hunter. The Hunter is a STUNNING museum that sits on the cliff of the Tennessee River. You could go just for the view, it's that beautiful. Not only that, but they have fantastic exhibits and a surprisingly solid permanent collection. I was all, "okay Hunter Museum. I see you." 

 But Wayne's exhibit was where I spent most of my time. Thirty years of creating...the volume and diversity of his creations was so fun and inspiring to see. 

 Again, they allowed me to film and snap photos like crazy. I loved it. These brothers were my favorite. They are completely made of cardboard. One art teacher friend mentioned that when she took her students to this exhibit, Wayne was there and operated the puppets for the kids. Can you imagine? How fun!

The walls were filled with his sketches and the floor was spotted with his sculptures. 

I think what I love so much about his work is the style...and how you can see his "hand" in everything from his sketches to his sculptures. I guess that's what 30 years of creating gives you: a distinct artistic voice. 

 Unmatted and unframed, these sketches stretched from floor to ceiling.

 Wouldn't this make incredible fabric? 

This house-shaped creature on two twig legs had me all kinds of gaga. Also, check out those puppets in the background...can you believe that scale?

 In Beauty is Embarrassing, Wayne talks about selling his text paintings at a local coffee shop in Knoxville. Man, how fun would it have been to score one of these pieces? 

 The backgrounds are usually vintage paintings or reproductions with his clever text on top. I love this one, "Did it Anyway".

 The grouping of them was very cool. 

 People having fun without you. Story of my life, ha!

 I really loved that top left one, "Uh huh" and "Now Maybe I'll Get the Respect I So Richly Deserve."

 There were also tons of sketches of Wayne's designs for T.V. shows and music videos. Here's his sketch for the Christmas Special of Pee Wee's Playhouse.

 And his design for the show Beakman's Place. Did you know that Weird Al had a show in the 80's? I didn't either...but Wayne designed the set! Seems about right. 

 I think this sketch is my fave. A couch in the shape of a blue cowboy boot and a prairie wagon?! Sign me up!

I'll leave you with this view of the Tennessee River from the Hunter Museum. You can just barely see the kayakers just under the bridge. 

Have y'all been to Wayne's shows? I'd love to know and hear what you thought? They close soon...so pack up the fam and take in a road trip, it's so worth it! 

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