Showing posts with label how to teach art. Show all posts
Showing posts with label how to teach art. Show all posts

Thursday, October 9, 2014

In the Art Room: An (Awesomely Candid) Interview with a First Year Art Teacher

If this beautiful face looks familiar to you, that's because it's the always-awesome Rebecca Tenpenny, my student teacher from last fall! Since leaving my (super sad and sobbing) side, Rebecca has moved to Salt Lake City, Utah where she currently teaches art at two kindergarten through sixth grade schools. At one placement, she is on a cart and at the other, she's got her own art room. Being a new art teacher, I thought it would be fun to interview Rebecca. She's also included some photos of her art room, her displays and the lovely landscape that is Salt Lake City. Without further ado, here's Rebecca!
Rebecca hiking with Kingsley, her 85 lbs lab.

During your first few months of teaching, what has surprised you the most? 

I AM SO TIRED ALL THE TIME! I was definitely not ready for how physically affected I would be.  I am surprised by how emotionally, mentally, psychologically and physically draining teaching is. And allllllll of those things combine to make me the most exhausted human being in every way possible. I always thought I was one of those people who could stay up late and then get up whenever, because, well when I was in college I did just that. But now that I’m a little bit older, my body is not as resilient as it used to be. And don’t give me that stuff about how I’m still super young and have no idea what getting older is really like. I know I am young and have a long road ahead. I’m just saying that being about a year away from 30 is a lot different than being in your early 20s. 
Display outside of Rebecca's art room.

This whole situation is like when people say“you’ll never know what it’s like to have kids until you have them,” and people who are expecting think “ok well I’ve heard that a lot so I won’t be too surprised when the baby comes and it’s nuts” and then they still are surprised once they do have the kids. Well, I don’t have any children of my own…oh, but wait! I already do! Imagine having about 1100 kids, and they all want your attention and need your help because they’ve never had art before, can’t speak English, just moved to the country a week ago, OR are just so excited that they can’t sit still. THAT is why I am so exhausted. Phew. Rant. Over.

(Oh my goodness, you guys, don't you love Rebecca? Teachers everywhere are sayin', "right on, sistah. Preach.")
What do you feel the most comfortable with?

Hmmmm…..I feel the most comfortable with my 85 lb black lab on my lap, a drink in my hand, and reruns of Parks and Rec playing on the Netflix. Wait, oh you mean with teaching? NOTHING! Just kidding. Kind of. I think if I had to pick something (because honestly I know that in every way I have a TON to learn and shouldn’t be too comfortable) then it would be not taking stuff too seriously. Does that count? I mean, when I am in front of the kids, I am super goofy, I make mistakes, I laugh at myself with the kids, and also just go with the flow. They seem to appreciate that maybe because, well, they make mistakes all the time too. I mean…NONE of them are perfect (WHY AREN'T THEY PERFECT???), but neither am I. I try to remind them of that all the time. AND I remind them that this is a good thing, because this is what makes us all unique.
However, that makes me sounds like I’m this super chill art teacher who lets their kids get away with anything. I’m NOT (Or maybe I am but don’t tell my students). One thing that goes along with being relaxed is that I don’t let them walk all over me. Because in the back of my mind I always know that this is a job, but it is not who I am. I mean, part of my identity now is definitely “crazy art teacher” (You’re not the only one described as such, Stephens. Just the other day a sixth grader wrote an entire journal entry for her teacher about how Ms. Tenpenny’s clothes never match. I love it!). Still, I know that this isn’t the only place where my happiness comes from. So, I don’t put up with them treating me or my art room like badly because I’m aware that there is more to life than teaching and in any situation I wouldn’t let people treat me poorly. That all sounds a bit confusing, but I’m a visual person so don’t blame me for my words.  I think this is what most people call “classroom management.” Those dreaded words. But yeah, I think I’m pretty comfortable with classroom management. I make sure the kids know WHO I am, how I feel about things and how I will react when they don’t meet expectations. And this leads to a pretty comfy environment, I hope. The kids seem to like it in my room and I usually like them….except when they laugh at another kid who farts. IT WAS AN ACCIDENT! (and totally not me!)
Disclaimer: I totally didn't pay Rebecca (that much) for her next comments. Aw, shucks, buddy.

And spare me your false humility because you better include this next part: I only feel this comfortable with myself in the classroom and with classroom management in general because I learned from you! To those who are reading this blog: Cassie may be super humble sometimes, and may have false humility at other times, but when it comes to people bragging on her teaching…no one is over-exaggerating! I am the luckiest of lucky for being able to student teach with her and learn from her every day. Cassie, you didn’t give me explicit instructions about how to be a good teacher or connect with my students, but in every way on every day, you led by example. When district people or other teachers out there compliment me on my super sweet skillzzzz, I always say, it’s because I learned from the best. And then I direct them to your blog, and they’re like “Oh! You’re not actually just good at this because you’re just copying everything from this fantastic lady.” It’s true. Seriously. If all art teachers could student teach under you, then the world would be a better place.
Talk a little about your unique teaching situation. What's that like?

Well, I am currently employed under the Beverly Taylor Sorensen Arts Learning Program grant. Look up that kids, she is amazing and has done INCREDIBLE things for the kiddos of Utah by getting art into their schools. They seriously wouldn’t have it without her. The core of the grant centers on how arts INTEGRATION (key word) helps student achievement. So, as part of my job description, I must integrate other subjects into each project to support classroom learning. I also have the classroom teacher in the room with me at all times as a side-by-side teaching model in order to reinforce whatever core subject I integrate. So, that is a blessing and a challenge for sure. I totally agree that art should integrate other subjects to show students (and the rest of the world) that art is an essential part of life and learning, BUT it does feel like there is quite a bit of pressure on me to make my projects as “helpful” to the students core subject learning as possible. So, I couldn’t just teach an art for art’s sake project which I want to do. All the time.
Having the teacher in the room with me at all times has been great for learning kids names, classroom management and integration because lets be honest, I can’t remember what different micro-organisms there are! I have formed some great relationships with all of the teachers I work with because of this. We really do have a blast! And it is super awesome because they are able to see some of their students shine that normally don’t in the general classroom setting. Some people might think that it would be stressful to have another teacher in there, but it’s not! Even if a teacher thinks I’m crazy for doing things a certain way (refer back to previous question’s answer), I literally couldn’t care less. Meaning, their opinion matters to me to a certain extent, but in the end, it’s just my job. Not my life.
Rebecca's students' display for International Dot Day. I KNOW. Amazing!

Other than what the grant requires, my job situation is pretty unique. Well, it’s very different from what I was used to back in TN. I actually split my time between two schools. They are similar, and then extremely different at the same time. Both schools are Title 1, and have about 95% of their students on free lunch. They are both VERY diverse when it comes to the students’ ethnic backgrounds. Which I LOVE.

At one school I have a classroom, the other I am on a cart. Both situations have advantages (yes, I do believe being on a cart has its advantages) and disadvantages.
The school where I have a classroom is one of the refugee schools in the district. Salt Lake City has a high population of refugees from all over the world, and I get to be a lucky lady who works with a lot of these kids. And I mean it. I love being at this school. There are over 30 languages spoken there. The top five being: 1. Spanish 2. English 3. Somali 4. Arabic 5. Karen (which is represented by our Burmese students). Now, there are definite challenges that come along with being a refugee school, mainly the language barrier. But the most heartbreaking issue is the opinion of the surrounding community. Most families that live in the area assume that it is a bad school with bad kids and a rough environment because of the refugee population and they won’t let their kids go there. This makes me want to go to each of them individually and 1. Punch them in the face 2. Berate them for hours and 3. Let my dogs poop in their yard and not pick it up. Because they couldn’t be more wrong. Now, do we have issues that all schools go through with attitudes and fighting and whatever else? Yes. But you show me a school that doesn’t and I will give you my dog. That’s saying a lot.
Bottom line: my teaching situation is VERY different from what I thought it would be when I finished grad school, but I wouldn’t trade it for the world. My kids are awesome, and I love them to pieces. Even when I want to squash them to pieces. The teachers that I work with are a fantastic mix between awesome seasoned veterans and fresh-faced, excited newbies, and I have found some amazing friends. What I would trade is my salary…but I’m SURE I’m the only one who thinks that!
Rebecca and her boyfriend Doug (sorry, dudes. She's taken.) love getting out and enjoying the beautiful surrounds. So jelly!

How are you feeling about your life choices (haha, this question reads so funny but you know what I mean!)?

As far as my life choices, I am feeling great! Moving out here was an awesome decision. I knew that if I stayed in TN and found a job there, then it would probably be in an area that I wasn’t too excited to live in because there were hardly any job openings at all. Except one near you that I knew I wouldn’t get…If I could’ve my life might be so different right now! Haha. So, in order to keep my sanity at my job, I wanted to go somewhere that was new and exciting with all sorts of adventure at my doorstep. Utah has definitely proved to be that place. I actually was trying to move to central Oregon (in which there were ZERO jobs) and went to a job fair in Portland, OR. There I met the wonderful HR ladies from my district here is SLC. They interviewed me that day, sent my resume and portfolio out to the schools and I eventually got the right call! Oh, and let me tell you, I don’t know that I would have gotten the job if it hadn’t been for my ridiculously thorough leave behind portfolio that I gave them. So, a HUGE thanks to Debrah Sickler-Voigt over at MTSU for inspiring and pushing me when I needed it. I would never have left the impression I did on my interviewers if it wasn’t for her guidance and all of the opportunities I had through the program at MTSU.
Rebecca and I back in the day. We had so much fun teaching together!

Since being here, it’s been basically impossible to not find adventure. I joined a bouldering rock gym, got a season pass at the Brighton ski resort for the winter (snowboarding here I come!) and have been hiking as much as possible. The first few weeks here before school started I got to go to the Grand Teton, Arches, and Canyonlands National Parks.  I live down the street from a huge park and just a few blocks from all of the downtown excitement. It has been amazing. Of course I miss everyone in my life though. I knew only one person out here (who moved from TN the same week!). It was a big step, but I’d done it before for my undergraduate school in LA so I wasn’t too scared. It was definitely hard to decide to move away from my mom and dad, especially at a time when my brother was moving to Africa with his family. Basically in one fail swoop we left them with no kids in the area…but to that I say: you have a motorhome and a love for travel just like me, parents! And to which they replied by driving out the first month I lived here. I am very lucky to have parents who are supportive and excited for me…and who expect this kind of crazy behavior from me.
As far as the decision to teach: well if you can’t tell, I’m a little crazy and like to go and do and experience A LOT of different things. So, after college it was hard to settle on just one career/job. I bounced around a lot, but feel pretty at home now that I have settled on teaching. It’s pretty fun to have something different going on every day and to experience different kiddos each hour. Keeps my ADD at bay. It goes without saying that there are PLENTY of days and classes that leave me thinking “is this all worth it?” I sometimes just don’t want to move or talk to anyone for days and days. There are times that homesickness for my friends and family seems overwhelming. So, don’t let me raving about my new life out here fool you, it’s still hard! However, ultimately when I sit down and answer these types of questions, I feel pretty great about where I’m at right now. Career-wise and just life in general. Definitely ask me again later though….because goodness knows my mind might change about everything. But for now, I’m seriously loving it. And sleepy. So sleepy.

Rebecca! Thank you so very much for this amazing interview. Those kids and school(s) are so fortunate to have you. You're the best!

If y'all have any questions or thoughts for Rebecca, please leave them below in the comments. I'm sure she'll be happy to answer 'em (riiiiiight, Rebecca?). 


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Thursday, September 4, 2014

In the Art Room: Those First Days of Art Class, 2


Oh dear Lawd. Please don't ask me what is happening here as I've no explanation. 

Well this here blog post is just a pinch delayed! I do believe we're heading into the second MONTH of the school year in my neck of the woodz. Howevers, since I did post a First Days of Art Class last year, I thought I'd share another this year. Some things have changed (with some influence from Teach like a Pirate by Dave Burgess, one of our Artsy Book Club choices) while some have remained the same. I thought I could best explain myself (complete with odd hand motions, apparently) in a coupla short vid clips. One thing I forgot to mention in the clip are the flashcards I used on that very first couple of days. You can see 'em here...
I like to use flashcards at the door as the kids enter. To get them into this routine, I flashed 'em these as they entered. Once everyone was in and on that red line, I told them that this group of words they read had two things in common: they were words that described them and words that described art class. 
Just a lil close-up of our Word of the Week. I actually see my kids on a 6 day rotation so this is more of a Word of the Every Six Day Rotation. Which wouldn't fit on my sign so I took some liberties. Since we are in our 3rd rotation of the year, we've thus far chatted about the words "artist", "unique" and "creative".  As far as artist inspirations go, we've looked at Kandinsky, Hundertwasser (boy, that was a fun name to teach the kids) and and Rizzi. We've yet to use the phone to Dial-an-Artist...I'll let you know when we do.
That Spring Drum was pretty rad, amiright? I know you want one. They are made by Remo and if you google "spring drum" for a hot minute, you'll find tons of retailers with 'em for cheap. Mine is a larger size but I'm willing to guess a smaller one would work just as well. Lookie here.
What?! Rules are SUPER FUN to go on and on and ON about, riiiiight? That Sound Machine can be found here.
My rules with some Haring illustrations. I'll eventually post these permanently somewheres in the art room. By the way, those questions I ask the kids can be just about anything. I just wanna get them talking and feeling comfortable. I also wanna keep it kinda short for those long winded friends of mine.
In all honesty, I've yet to use this routine. I can't seem to break myself of my normal habit of getting the kids attention which is either playing my Energy Chime (thanks, hubs!) or saying, "Point to the ceiling. Point to the floor. Point to your nose. Point to your toes." That usually does the trick. But I'm gonna keep trying.
Um-hmm, y'all better behave. Less you wanna look at this. 
Oh, I did mention The Smartest Artist in that clip. More deets here. AND Dot Day! We're closing in on the big day! I'd love to hear what you are up to. I just hope my genius artists can finish in time, agh!
Oh! And in case you missed my Virtual Room Tour posted a coupla weeks ago, here you go!

Chat with y'all soon.
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Monday, July 21, 2014

Comin' Attcha Live: Artsy Book Clubbin', Y'all!

My sincerest apologies for the very end of this clip (well, for the whole thing, really). I meant to edit out the part where I spin the camera around to turn it off. So, if you're prone to vertigo or dizzy-fainting spells, skip the end, kiddies.

Hi, cats and kittens! I hope that y'all have decided to join the Artsy Book Clubbin' Party because it's a-gonna be just that, a par-tay of epic book clubbin' proportions (cuz you know those book clubbers, they loves to party). Just so I can wrap my pea brain around who's in on the fun, I'd love it if you'd take a hot second to answer the poll on the right (sorry, smartphone readers, I believe the poll only appears if you are on your craptop). Remember! You can join this party any ole time, no pressure here. Shoot, I'll probably stop reading these books and completely forget about this whole thang in a matter of dayzz so, there's that. (Just kidding! Unlike my LAST Artsy Book Club book, I do hope to make it at least half way through these bad boys).

So, if you were brave enough to watch the above clip, I suggested that if you are reading Printmaking Unleashed, why not aim for 3 printmaking techniques a week? The reason I started this book club was so we could share our ideas and thoughts...so I'd love it if you'd share what you created on the Artsy Book Club Facebook page! This way we can learn from each other as well as the book. To get the ball rolling, I toyed around with 3 processes from the book this afternoon and thought I'd share 'em with ya here.
 If you are (also) reading Teach Like a Pirate, there are no "activities" (unless you count adding "arrr, matey!" after every sentence when reading the book). But I thought I'd throw some discussions questions out there. This week, I'm going to aim to read 1/2 of Part 1: Teach Like a Pirate! In Part 1, Dave Burgess breaks down the word PIRATE and gives meaning to each letter. I plan to read the "P"assion, "I"mmersion and "R"apport sections. I'd love to hear your thoughts as you read though these chapters. Whatcha say we chat about this:

*  The author is a high school history teacher (I think, I've not gotten that far!). Does this change the way you approach this book? Meaning, do you think that what he is presenting will not work in your classroom setting? Can you somehow make it work?

*  Dave Burgess begins his first three days of school without presenting rules, routines (well, not in the normal way) but by capturing the hearts and minds of his students. Has this gotten you thinking about a different way you might approach the start of your school year? What might you do differently with this in mind?

I'm so excited to hear your response! I do hope you'll take the second to drop a line...even if it is to say "PUH-lease don't make any more video clips. Ev-errrrrr." 
 Now, let's chat Printmaking Unleashed. Y'all. I'm a little, I don't know, bummed. I mean, I like the book a lot and the projects have me excited but...has anyone else had trouble rustling up the resources? I mean, the very first project called for Teflon sheets and I ain't got a clue where to get my kitten mittens on those. The projects after that also called for stuff I didn't have on hand which is saying something being that I am: 1. An Art Teacher and 2. A World Class Hoarder. That being said, I settled on three projects that I did happen to have the supplies for (well, mostly).
 Now, before we chat about this project, I have to tell you that I've decided to print on muslin instead of paper. I really have this idea in my head that the kids should create their own fabrics this year so that's why I'm on fabric and not paper. This first project called for lace and fiber paste (um, no clue) which I substituted for fabric paint. I first decided to use the lace like a stencil using a makeup sponge as my pouncer-thingie (what is that thing called, y'all?) and the results were pretty suck-tastic, if I do say so myself.
 In the book, the author recommends using an embroidery hoop to hold the fabric taunt so I gave that a go...
 And, again, suck-gasim. 
 On a whim, I decided to try this very thin and flimsy spider web lace I'd had left over from Halloween. I just knew this wouldn't work because I thought the paint would simply blob all over the fabric. Much to my surprise, it worked great! I really love the effect, don't you? And I think that the embroidery hoop is a great idea when doing this with the kids. So, even though I didn't have fiber paste nor did I go about this the way the author suggested, I think it turned out pretty cool. 
 Next up, gluing rando stuff to cardboard and making printing plates. Nothing really new here although the author did glue a buncha raffia and other odds and ends to her cardboard. I'm in the middle of a wacky weaving project (post to come!) so I happened to have all this fun leftover yarn for the cause. I hot glued the yarn onto the cardboard...
 And decided to use a stamp pad to ink them up. This worked great as it applied the color evenly, unlike brushed-on paint...
 Yeah, not so much. Not only that, but moving my brush around caused my yarn design to get all jacked up. And don't nobody like a jacked up yarn design, y'all. If I were to do this with the kids, I think they could glue their own design with yarn scraps (regular glue would be fine) and use large stamping sponges. Then, when finished, they could cover their designs with foil and create a cool repousee-esque piece.
 Now, this last idea is an alteration of what is presented in the book. The author has this really cool idea of creating a designed surface with puffy paint. Her idea is to allow the design to dry and then use that as a rubbing or printing surface.
Recently, on one of my fave blogs, Alisa Burke used puffy paint to print with so I decided to give that a go. I thought the effect was fun...but you do have to be gentle as the puffy paint does spread considerable when pressing on the back side. You can see Alisa's idea here, it's fantastical. 
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Friday, July 11, 2014

Comin' Attcha Live: Opening the AOE Swag Box and an Artsy Book Order!

Hey, y'all! I was so excited to see these two boxes on my doorstep this afternoon (one from The Art of Education and the other my Artsy Book Club order, I made a wee film of myself opening them up! First up, the swag box from the Art of Education's online summer 2014 conference. If you aren't signed up for the conference yet, there's still time. I did make a BIG mistake in this clip when I said the conference is on Wednesday. It's actually Thursday, July 17th. I'll be there (with some art teacherin' rock stars) presenting at noonish. I hope to chat with you live at the conference! Now, let's talk swag, shall we?

Y'all, this box was amazing! You'll have to watch the clip to see what's inside...however if you can't stand the sound of my annoying voice (I promise within the first 30 seconds you will be so.over.it.) I did snap a pic of the loot. It's so good, you guys! Check it: 
 While I was oohing and ahhing over the contents, someone was makin' herself at home in the box.
"WHAT?! If it fits, I sits. DUH."
(that face. I don't even know.)
Anyone else gotten their books yet? I'm excited to start creating and pirating with y'all!

And, there you have it! I do hope you enjoy these completely unedited and obnoxious clips. I'd love to do more...but I'd also love to keep the handful of readers that I have. Thanks for dropping by, y'all.

I'll see you at the AOE Conference on Thursday. In the meantime, let's read some good books and watch kittens crawl in boxes, emkay? Chat with ya soon!
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Tuesday, April 8, 2014

In the Art Room: Sewing and Embroidery

No matter what your passion is in life, I bet the seed was planted when you were young. One summer, when I was probably 10i-sh, my grandmother taught me how to embroider. And I've loved creating stuff with fabric and thread since. 
This year, I decided to open up my art room to the folks I work with for a Sewing Group. Some of my 4th grade students caught wind of this and wanted to know if they could join. I kinda put the idea on the back burner as I had no freakin' idea how I'd use sewing machines with the youngins...and I kinda thought the kids would forget about it. But, as you know if you work with children, they never forget anything. When one of them started pricing sewing machines at the local thrift store and another petitioned her friends to enquire about a class, I started to toy with the idea of making it happen. When I accidentally said, "I'll think about it," the kids cheered and asked, "Yay, can we start TODAY?!" 
There is a wonderful enrichment program at my school called Gentry's Educational Foundation founded by Evelyn Hickerson, a teacher. I approached her about teaching a sewing class and she agreed to purchase some sewing machines. Because she's seriously that awesome. This woman is so dedicated to the education of all students that she'll stop at nothing to make it happen. We are so fortunate to have her enriching all of our lives. 
In my after school sewing class, I had almost 20 students (3rd and 4th grade) and two adult helpers. I was a little nervous having that many children sewing on machines at once...and I also felt like the kids should have some basic sewing and embroidery skills first. So I decided to start by having the kids create an embroidered sampler using this book as my guide.
I picked up this book years ago when I wanted to teach sewing in my art classes. I've since had to let go of that notion (30 minutes just seemed impossible to teach sewing to the under 10 set) but was thrilled to give it a go with this group. My after school classes were a lovely 60 minutes in length and that felt like absolute heaven. No rush, plenty of time to explain, chat and sew. 

Interested in giving this a go? Here's what we used:
  • Gingham fabric
  • Patterned fabric
  • Embroidery floss, 24" in length, split into three strands
  • Bees wax. This isn't necessary but it does come in handy. We ran our embroidery floss over the wax to prevent it from tangling.
  • Large eyed, sharp needles
  • Embroidery hoops
  • Graph paper
  • Sewing machine
  • Pins
  • Stuffing

  1. Our first of business was writing out our names. We first did this on graph paper using the guide found in the book. This was then rewritten onto the kids' chosen piece of gingham in pencil.
  2. Next we learned how to split our embroidery floss. I had the kids work with a partner to prevent the floss from tangling. This was then threaded into the needle, doubled over and knotted.
  3. After that, we hooped our fabric. 
  4. We didn't embroider our name first. We chatted about what a sampler was and how this would showcase a sample of embroidery stitches we learned. Our first stitches to learn were the running stitches seen under the name.
  5. Once those were complete, we moved onto cross-stitching our name. Some students sewed buttons onto their sampler while others learned how to create a satin stitched heart.

All that took a couple of sewing classes to complete. Once they were finished, the kids chose a piece of fabric for the back of their pillow. Thankfully I'd just been donated a huge stash of fabric (which included some coveted Scooby Doo fabric). The kids laid their samplers on the fabric, cut it to the same size and pinned it right sides together on the top and sides. We left the bottom open for adding the stuffing.
Now I wasn't at all comfortable with the idea of the kids sewing for the first time without adult supervision. This is where my two super adult sewers came into the picture. They called each child one at a time to a machine and gave them a private sewing lesson. Perhaps in the future I'll be more comfortable leaving the kids less supervised...but until then, I'm all about the one-on-one.

So what were the others doing in the meantime? Well, they set their pillows aside and began creating mini-stuffed animals! In My First Sewing Book, the author gives a ton of animal patterns for the kids to chose from. I simply enlarged them and laid them out for the kids to pick from. Of course, I gave them the option of creating their own stuffies too (see last photo, ya'll. Too cute). With that sampler under their sewing belt, this proved to be the perfect project for them to work independently on while they waited for their turn at the machine.
For a Stuffie, you'd need the following:
  • Two pieces of felt per student
  • Embroidery floss
  • Needle
  • Thread
  • Pins
  • Patterns (or paper for creating their own)
  • Stuffing




  1. After picking their pattern, the kids pinned the pattern and two pieces together. This was then cut out.
  2. After removing the pins, the kids were told they had to use a satin stitch to create a face. Buttons were available for eyes. 
  3. Once that was complete, the two felt pieces were pinned together and stitched almost all the way around with a whip stitch.
  4. Stuffing was added and the stuffie was stitched closed. Most kids were able to create more than one.
When their turn was up at the sewing machine, they stitched those three pinned sides. Stuffing was added to the pillow and they had the option of hand-stitching the pillow closed or using the machine again. I was surprised that not all of the kids picked the machines. I think some of them really enjoyed the control of stitching by hand.
Since completing these stuffies, the kids have started bringing in things they've sewn at home. They've independently created purses, pin cushions and stuffies for their buddies and siblings. Which makes me so super happy.


And excited. I've already started my yearly process of begging for longer art classes next year so I can do this with all my students, not just an after school class. I know how much I loved creating like this when I was a kid...and I want all of my students to have this very same experience.

Do ya'll sew in your art room? Would you mind sharing with me the projects you do? I'd love to have more ideas and share them with my sewing group! Thanks, ya'll!
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Monday, March 31, 2014

In the Art Room: Teaching Vocabulary Part 3

Kids what you see here is my last installment about attempting to teach vocabulary. From writing my first and second post about teaching all things wordy, I've come to a coupla conclusions:

* Repetition is key. Say it, sing it, sneeze it, speak it in a Santa voice, it doesn't matter just repeat the daylights outta that word with the children. And maybe a couple of them will retain it. On the first day. So do it all over again every other day of the year. And maybe a couple more will have it by the end.

* Make learning unusual. Everybody remembers their first time...to ride a bike (what did you think I meant?!). So if you offer the children a unique experience when learning something for the first time, that fun memory will be embedded in their brain along with the word.

*Words, words everywhere! I need to improve upon this. Kids love to read and they want to learn. So why not get those words on every stinkin' surface?! Give the little people what they want!

*Use those words. If we don't use them in some sort of context then they just remain words floating in outer space to the kids. Teach 'em and use 'em. That's what I'm trying to do anyway.

When introducing new words for a new unit of art study, I have them written out and in my red chart (see above with grade levels indicated at the top). Then I play these coupla of games. I'm hoping these clips make some sense of my madness.
Or not.
Em, our friend across the pond, says, "I'm a classroom teacher in the UK. I have a word wall and I add to it as the children suggest words in shared writing or we find words in shared texts and we refer to it often but it takes tome for them to learn to do this independently. It's literacy based but I also use vocabulary cards in maths a lot as this is an area which has a lot of vocab. I hold up the cards as I talk and display them on the whiteboard and they often have pictures and symbols with them to help with meaning. The children have learnt to question me whenever an unfamiliar word is used which helps them learn the meanings. You could play quick games like give half the children a word and the other half the definition either as a sentence or picture and they have a minute to find their partner. Or hide words around the room and ask them to find the word that means... I print out words in tiny writing and give the children magnifying glasses to read them, making them feel like word detectives. You could have 'word of the day' displayed and reward those who use it correctly."

Kids playing Clap-Clap, Snap-Snap and wondering why I'm taking their picture. 
Cathy who blogs at Splats, Scraps and Glue Blobs says, "Last year I was trying to think of everything possible to help kids remember art vocabulary words. There is a restroom across the hall from my art room and most of the classes use these RR's before coming into my class. So I made vocabulary word posters with pictures and hung them on the backs of the doors. Kids didn't even realize they were learning."
Now just talking, clapping and snapping words is one thing...but without putting them in some sort of context, it's kinda pointless, don't you think? I got this idea for putting a different spin on my "I Can" statements from Don over at Shine Brite Zamorano. This is new for me...and I'm trying to add reading this to my teaching routine. My normal routine is simply have the children repeat all of the direction they are to follow during the course of the class. However, add this will add more context to those words. If you've not been by this blog, it's a must, ya'll!

And there you have it! I'm still working on my vocab teaching methods so any clever tricks in the comments are much appreciated. Thanks for dropping by you guys!



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