You wanna make a whole buncha kids excited, happy and edu-ma-cated all at once? Celebrate the end of a color mixing unit with a Color Mixing Cookie Party! My kindergarten through second grade have been immersed in all sorts of color theory. We've read books, watched videos, learned songs and, of course, painted. Today I thought I'd share with you a couple ways we've been studying color!
My kindergarten friends were introduced to color with the Ellen Stoll Walsh book Mouse Paint! I love this book for a coupla reasons: it's short, to the point and full of great visuals. After that quick read, we did a lil mouse drawing of our own!
In this video, I'll show you how to draw the three mice from the book. And how to mix those primaries into secondaries. I created the video in such a way that you could share it with your students so they could draw along with me.
When I do directed drawing with the kids, they sit on the floor with clipboards, oil pastels and 9" X 12" paper. Because the drawing is repetitive, it doesn't take long for the kids to finish their three mice.
From there, we review the colors mixed in the book. We talk about creating small puddles so that we can still see our cute mice.
Once these masterpieces are complete, the kids will paint on 12" X 18" pieces of paper, folded in quarters, all of the secondary colors. These papers will be used for a colorful self-portrait that I'll share with you soon...although, if you follow me here, you've already seen preview!
These have been my favorite videos to share with the kids on color mixing and color theory. I love when the kids watch and sing along. These videos have been a fabulous addition to my art teacherin' repertoire!
Being a big ole They Might Be Giants fan from way back, I love playing their tunes in my art room.
And this series of videos on the Elements of Art have been great to share with the kids before start our sketching at the start of class.
My students have been working on a behavior incentive where we can earn parties for good behavior. You can read more about that here if you wanna. Well, when they earned parties (and they all eventually will), I wanted to keep it fun and educational...so we had a Color Mixing Cookie Party to celebrate our awesomeness and the end of our color mixing unit.
Here's a lil video for y'all to walk you thru the supplies you'll need and just how easy this activity is.
I happened to have a million popsicle sticks so these worked perfectly as our icing mixers!
So much deliciousness! If you decide to do this, just a coupla reminders: ALWAYS check with your school nurse for allergies! We don't want to chance any child getting sick. Do this at the END of art class because these kids will be JACKED up on sugar. Thankfully for me, my kids go to P.E. after art...so they were able to burn off all that extra energy. And remind the kids how awesome the party is! I like to tell em, "if you thought THAT was fun, just wait until the next party you earn". Nothing like a good bribe for good behavior. Have ya'll done this in your art room? What spin did you put on it? I'd love to hear details, ya'll!
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Hi, y'all! I'm here today to share with you some of the latest kindergarten masterpieces that the wee-est of wee ones have been creating in the art room. Because these lil dudes had never been to art before coming to me, I like to start with the super duper basics. Like the elements of art! Which is why, at the start of the year, I introduce 'em to a big fat hairy unit on line. We create paper line sculptures, paint a variety of lines, create abstract line paintings. Y'all, we are all about lines. And since a line creates a shape, shape is our next unit o' study!
But, before I get to said unit, can we chat about painting with small children for a moment, puh-lease? Let's be honest: they don't come by this kind of loveliness without a whole lotta proper painting how-to's, am I right? Namely, how not to jack up the paint tray (which also translates to "how not to drive your art teacher to drink the paint water"). My kindergarten kids pretty much hit the ground painting. And I've found that with lots of practice and constant reminders of proper painting technique, they can do just about anything.
So, what do I tell 'em? The same thing every time we paint, from kindergarten all the way on up to fourth grade. It sounds a lil like this: "Remember! Your paint brush is like a ballerina. She always dances on her tippy-toes. So you only need to put paint on her toes. She never scoots around on her bottom. So we would never smash our brush into our painting. It will ruin your ballerina's toes! And she won't be able to paint you a beautiful masterpiece. " So, that's Thing One. Thing Two is all about changing colors from one to the next. I don't know what your paint set up is but mine goes a lil sumpthin like this: paint colors distributed in empty egg cartons, two per table of four children (I'm currently a Versa Temp by Sax paint convert. I looove this paint!); tray of water for cleaning and sponges for wiping excess water, two per table of four. And then my lil reminder routine for cleaning goes like this: "Before you get a new color, your ballerina needs to take a bath. Put your brush in the cup of water and you should hear that paint brush scrub the bottom. It should sound like it's brushing it's teeth! Don't tap your brush on the cup, it will splash on your neighbor's painting! Instead, gently wipe your brush on Dirty Ole Sponge Bob (what we call our filthy painty sponges). Now you're ready for your new color!" I have found that by making the process of painting and cleaning the brush silly and fun, the kids will do it. Sometimes we'll tell our brushes, "oh! Time to take a bath!" or "Ballerina! Do not scoot on your bottom!" It's hilarious to hear the kids having a full blown convo with their paint brush. But, hey, whatever works, right? So long as the principal doesn't walk in and wanna know why the kids are chatting with animate objects and drag 'em to the guidance counselor. Now! On to shapes!
So when I introduce the kids to shapes, I go about it a coupla ways. First we take a gander at this book. I love Lois Ehlert's books, don't you? This book especially is great because the shapes are bold and beautiful and easy for the kids to see. We count them, name them and count their number of sides. Going through this book with the kids helps me gain an understanding of their knowledge of shapes. As does playing a short round of this game.
I usually play this game once when I have a bit of down time with the kids. Again, it helps me gauge their shape knowledge. By this time in the school year, my kindergarten friends have learned quite a bit about shapes. So I like to spice this game up a bit. Instead of just calling out "pink triangle" I might say, "a shape that has three sides that's pink". But even this simple game doesn't have all the shapes that are in the kinder-curriculum.
Which is why I love this lil handout from guruparents.com. My students are well beyond circles and squares and are now in deep with trapezoids and parallelograms. I used this handout to make flashcards that we run through at the start of our lessons based on shape. We even did a couple vocab games just to get those words stuck in our heads. Here's a lil clip of some of the vocab games we play.
So, what's our first shape-based creation? Well, it's a total rip off our first line-based masterpiece. But the tie-in is just perfect and it only takes one class. Our shape box!
Now, you can go about creating this shape box a coupla ways. Either have the kids create the box from two strips of black paper (which is great because they'll learn how to make a square but also sucks because it will take them a million years to make said square). OR you can have a glorious parent volunteer bust 'em out in less than 15 minutes. Which is what I opted to do after a class of kinder-kids spent entirely too much time creating a box and not having enough time to create the rest of their shapes.
So, let's talk shape making. How'd they make 'em? Well first you start with a strip of paper which is a line. Then ask them..."how can this line become a circle?" Immediately, they'll respond that you need to glue one end to the other. Then show them that if you pinch it once...it's a drop shape! Pinch it twice...you have a crescent! Three times, viola, a triangle. And four, well, perhaps a square or a rectangle, you decide.
Kids found ways to create hearts and even stars. That pretty much made my day.
What to do after that? Paint shapes, of course! We had many a chat about painting different shapes. The kids were intent on learning to paint stars and hearts. So many demos were given. I also have the tables covered in paper. I always encourage the kids to "practice and paint on the table". This way, once they feel comfortable, they can then paint on their paper.
By the end of the first day, their paintings looked a little like this. We talked about how to create "rainbow shapes" by outlining the shapes in different colors.
And one last painting day. It was funny, when some of the kids were finished and put their paintings on the drying rack, they asked if they could work on their shape sculptures again. Ermkay (cue Twilight Zone music).
Now, lest you think we be el finito with this here unit o' shapes, we've got some more work ahead of us. I'm 'bout to introduce organic shapes to these dudes with one of my fave artists, Henri Matisse. Tis time these kids take to creating some scissor-shapes, don't you think? Til then!
Ya'll. I got this genius idea about a month and a half ago that all 400+ of my students should be working with clay. At the same time. And while this made for easy set up/clean up (read: We're 5 minutes late, ya'll -- Stop, Drop and Get Out! The next class is using the same thing!), all that clay left my room covered in a lovely layer of dust. Which, if you are an art teacher then you know, means two things:
1. The kids will figure skate across your dust-covered floor much to your pretend dismay (because, let's face it, you do the same thing when they're not in the room).
2. The kids will leave a path of dust covered foot prints leading a slightly disgruntled custodian to your door (ha, I totally kid as I have the most understanding custodial buddies around).
Despite the dust-bowl-esque appearance of the art room, I love teaching clay as much as the kids do working with it. Seeing what creations they come up with is always so much fun. Howevers, with the wee ones in kindergarten-town, I like to start with the basics of hand building construction (slab, coil, sphere) in a pretty structured way.
Which leads me to this here Clay Butterfly project. If you're new to teaching clay or you simply need a quick project that teaches the basics of clay construction in a fool-proof-ish kind of way then this big bad butterfly is the thing for you. Here's what you'll need:
Low Fire Clay (I use cone 06)
No kiln to fire the clay? No worries. Try this out with air dry clay or Sculptey, available at craft stores.
Skewer
Toothbrush and cup of water
Texture for the butterfly. We use a lot of lace, doilies and placemats in my art room.
A butterfly template, optional
Crayons
Watercolor paint
When I introduce clay, I have the kids gather around a table and do a demo from start to finish. Then I run through the entire thing again, this time having them repeat the directions after me. I thought I'd share with ya'll the start-to-finish routine...but don't worry, I won't make you repeat it back.
On auto-repeat, I tell the kids: You can make ANYTHING outta clay as long as you can make a Slab, a Coil and Sphere. With those three things, anything is possible. First, I have 'em make a slab.
1. Begin by squishing the clay as hard as you can between your two hands. Then thump it down onto your textured surface (this thumping-down business is always a hit, no matter what the age) and begin pounding the daylights outta that clay. Now, you're gonna have to remind the kids that the goal is not to punch they clay too much, it's not your brother after all. The end result should be a clay that is a consistent cookie thickness.
Sometimes you can pound and pound that clay and it just won't get wide enough. So I tell the kids to pound their clay at a diagonal to help the clay stretch and become the desired width.
The end result should have the texture of your pounding and be consistently cookie thick.
2. Peal that clay off of your texture like a Fruit Roll-Up. I have to tell the kids that otherwise they'll simply dig at it with their fingernails. If you show them how to pull the clay and the texture away from each other, it's much easier. Also, isn't that texture rad? Clay is so receptive to texture that I'm always showing kids ways to incorporate that into their clay piece. Lace is my personal fave.
3. Once the clay has been pealed off of the texture, have the kids trace a butterfly template (not shown, duh). Or, if you are a Template Hater, don't. I use templates for this activity as the focus is on working with clay. If I can remove the frustration of drawing and redrawing a butterfly onto clay, them Ima gonna do it. When the kids cut into the clay, show them how to properly use that skewer stick. It should stand up vertically, like a solider. If the kids hold it like a pencil, they either just saw through the clay (leaving behind a chewed up looking edge) or don't cut all the way through.
3. Smooth out those clay boogers. I know those rough edges aren't sharp now...but just you wait until you run your hand over that bad boy after a good bisque firing (that's a first fire for you first timers). I've sliced my hand up on such a surface. I always emphasize running a finger over the edges to smooth 'em.
4. Once they've gotten that slab butterfly body made, I teach 'em how to make a coil. For them, that's old hat. That's like the very first thing all kids make outta clay: a snake! Using my extra clay, I roll out a coil that is as long as the center of the butterfly. If I make it too long, I cut it to size with my skewer.
5. Now, I don't use a scoring tool, I use a toothbrush. I do use the terminology "slip and score" and explain to them that it's the glue that binds it all together. Without it, your clay project is sure to fall apart and you'll be so super sad. Don't let it happen to you.
6. Stick that coil to the slab. In my demos, we chatted for a hot minute about the three parts of the butterflies body and used our pinching fingers to create them.
7. Using spheres, we created eyes for our butterfly. Again, we toothbrushes because we didn't want our eyes to fall off. It totes sucks when that happens. Eyelashes (because all butterflies have 'em, right?) and mouthes were added along with anything else the kinderkiddos might imagine.
8. When they brought their finished pieces to me, I wrote their names on the back and stuck two holes in the head for antennae and a hole in each wing for hanging. You might not want to do this in front of the children, especially if you fail to tell 'em what you're doing as stabbing their clay project proves to be a traumatic experience for some...not that I've ever done it or anything. Ahem.
Now, bisque or first firing these guys was cake because I could just stack 'em up on my kiln shelves. But I knew that glaze firing would involve many rounds of loading and unloading the kiln because of the flat and wide nature of the pieces (in case I'm not speaking your language: you cannot stack glazed pieces in the kiln as they'll stick together once fired). If you recall from earlier in this here post I mentioned that EVERYONE in the UNIVERSE was making something out of clay so glaze firing all of these really would have slowed my firing to a snail's pace. Therefore, I knew I had to find a glazing alternative.
I gave the kids watercolor paint and we had a chat about crayon resist. It helped that we'd dabbled in this in a previous lesson so the kids kinda got the concept. I told 'em that bright colors worked the best and that coloring super hard was the key to making this work. I likened it to putting a raincoat on the butterfly so that when it got wet with the paint, the paint would roll right off the rain coat. We also chatted about the symmetrical nature of a butterfly's design which inspired some kids. For others, they either weren't interested in that or their texture pattern made it too difficult to create a symmetrical design.
Once the crayon coloring business was through, the kids were free to paint. I asked them to pick one color (my friend above chose not to but the end result is lovely) and really like really had to stress painting away the white spots. The key is to have a moppy wet brush and to paint slow enough for the paint to sink into the crevices. Once complete, I slapped some ModPodge on 'em and my fourth grade morning helpers added the hanger. I added a dot of hot glue inside each opening at the top, inserted the antennae and, viola! Kindergarten Clay Butterfly!
What are some of your fave kindergarten clay projects? I'd love to hear, ya'll!
Completed kindergarten masterpieces. That's right, I said kindergarten. The under-6 set is knockin' it outta the park, er, art room so far this year and I couldn't be more thrilled.
What I'm about to present to you right here is one Big Fat Hairy kindergarten unit on line. And color. Oh, and shape, sculpture and good craftsmanship, i.e. how-not-to-drive-the-art-teacher-crazy(-er)-by-not-grinding-your-paintbrush-into-the-paper. Because she no like-y. And, in my art room, keeping me sane-ish is at the top of my Learning Targets. Which is way harder than you could ever imagine. Just ask the kids.
Do you recall those wild and wacky paintings created on the first days of school in this post? Those large paintings have come in very handy as backdrops for our displays as you can see here.
Without getting into all of that, let's chat about the aforementioned Line Unit, shall we? I'm not gonna lie, I do this same ole project with kindergarten at the beginning of every year. Which is unusual for me because with all the other grade levels, I love to change things up. Not so with kinder'town for a coupla reasons: A. they love it; B. it covers a whole batch o' skills/techniques/vocabulary/routines and C. let's be honest, coming up with projects that the little ones can master is not my forte. So when I find something that works, I stick with it.
So on our very first day of art, after introducing ourselves to one another and an abbreviated discussion of rules and consequences (because, after all, these kids are five. They still have baby fluff, suck their thumbs and wet their pants routinely. Rules and consequences mean nada. A wicked stare and a "we don't do that in kindergarten" usually does the trick), I like to dive head first into the art-making swimmin' hole. Which means we create our very first sculpture.
Now if you're an old warhorse at this art teacher game, this lesson is nothing new to you. You might wanna skip on down to the bottom where I discuss such things as pinwheel portrait painting and bottomless basket weaving (don't worry newbies, they'll be gone a while. I don't even know what that stuff is!). For the rest of ya, lemme tell you how I go about teaching this line sculpture lesson:
First of all, we have a little chat about the difference between flat two-dimensional artwork and sculptures. After looking at some images of sculptures, we chat about the ones we are familiar with (ole Lady Liberty almost always comes up) and discuss how a sculpture is something we can see (rotating body at waist for emphasis) all...the way...around.
I then tell 'em that we are going to create a sculpture with a bunch of straight lines (strips of paper cut 1" X 9" but sizes can vary). I ask them how to make a flat piece of paper pop out of their sculpture base(aka the bottom paper)to which they usually answer "glue!" It's at this point that I tell 'em that if they want their sculpture to stand, just like us, it must have feet.
I demonstrate creating a small fold at the ends of the strip of paper thus creating feet. It's there that glue is applied (to which the strip of paper always responds, "oohh, that tickles my feet! Ohhh, that glue is soo cold!" Yes, the paper talks to us. It's kindergarten, people. They eat this stuff up). Once the glue is applied, I show the kids how to hold the paper in place on the base for about 10 seconds.
From there, I demonstrate adding more paper strips to the sculpture base on top, below, behind or beside the first strip. Then I turn the kids loose on their on sculptures.
The following art class, I introduce more lines. I demonstrate folding a zigzag line, wrapping a strip of paper around my pencil to create a spiral and creating a loop de loop.
I also chat about how lines create shapes and demonstrate creating a circle by gluing one end of the strip to the other. With that circle, so many other shapes can be created with a pinch. Pinch the circle once and you have a teardrop! Pinch it again and you have an ellipse! One more time, it's a triangle! Anther pinch and you have a square.
From there, the kids go nuts on their sculptures creating lines, shapes and whatever else they can dream up.
Here! Lemme walk you through it.
On the third day of art class, I get real serious about the whole line thing. We look at each of these snake-y lines on the poster I created way back in first-year-art-teacher-land and then locate them on works of art. Any ole Kandinsky works great for this. It's at this point I introduce to the kids a lil poem I wrote some years ago about a snake named Larry that can morph his body into any line he likes. It goes a lil sumpin like this (complete with hand motions, you better believe it!):
Larry the Line
Is a friend of mine
(creating a snake by opening the fingers of your hand, puppet style and there's your snake!)
He can make three
(hold up a three with your fingers)
Straight lines for me!
Ver-tickle
(create a vertical line with your forearm)
Diagonal and horizontal!
(pantomime each)
Any curve, he can learn
With a twist and a turn.
When he's out of his tangle
he makes a great...angle.
(created by placing your hand on your hip and pointing to your elbow)
Any line, he can make
After all, he's a snake!
After learning the Larry the Line poem, I bust out this huge cheesey carnival snake I got years ago that happens to have a little rattle in his tail. I convince the kids that he's real (they're kindergarten so they totally buy it) and maneuver him around to create a variety of lines. If the kids guess the name of the line correctly, I let them "rattle" Larry's tail. They eat it up and learn the names of lines to boot.
After that, I give a little demo on painting. If you've read this blog for five minutes, you know that when painting, I liken the bristles of the paint brush to a ballerina: It always dances on it's toes, it never scoots around on it's bottom. After I demonstrate painting each of Larry's lines, the kids go to their seats and we do a little guided painting. Meaning, I paint and they follow along.
This school year, I have my kindergarten for 45 minutes every six days (which is different than my usual 30 minute classes, twice every six days...confused yet? That makes two of us). That slightly longer block of time makes a world of a difference in that we can accomplish so much! On the fourth day of this unit, we examine Kandinsky again and this time chat about how influenced he was by music. The kids were told that they were going to be painting a nonobjective picture of lines while listening to Peter and the Wolf by Sergei Prokofiev. If you're not familiar, this piece of music introduces each character of Peter and the Wolf with a different instrument. Each character really comes to life with the music and makes for great line paintings.
On that day, the children were only given black paint. As they painted to the music, you could see them trying to capture each character in line. Once a painting was finished, I'd take it from them and hand them a new sheet of white paper. By the end of art class, each child had painted about three black and white line pictures.
The following art class, I introduced the kids to tempra cakes which you can see best a coupla photos ago. My focus was on using the art materials properly and exploration of color. I wrote about this particular painting lesson pretty extensively last year in this blog post. In that lesson, we didn't paint to music and we focused some on pattern in a follow up lesson.
Here's a collection of their finished pieces. I love how wild, bright and unique each one is, just like the artists themselves.
On the sixth and final day of this unit, the kids were introduced to Roy G. Biv and watercolor paint. Since the last lesson had just been about exploring with color and proper use of painting supplies, I really wanted to focus on the order of the colors in the rainbow. My hat helped them remember the order (even if it is missing the "B" in Roy G. Biv) as did the large rainbow I have mounted on my easel. And in case you're dying to get a rainbow hat of your own, mine is from amazon. Yes, really.
Have you read this book? I picked it up years ago at the thrift store and it's pretty cute. As you turn each page, an additional color of ribbon is added to the ribbon rainbow in the book, hence the "Magic Ribbon Book" label at the bottom.
After that chat, I demonstrate to the children how to use watercolor paints. This is an easy transition from the tempra cakes as the cleaning-your-brush-before-getting-another-color is exactly the same. We do chat about the differences between the two mediums (you know, watercolor being more translucent) and also discuss painting in Roy G. Biv order. After that demo, the kids returned to their seats with their paintings created on that third day of art class and rainbow-ize the thing. This is the first year I've added this portion to the line unit and I love the result.
And there you have it. One Big Fat Hairy line/shape/color/RoyG.Biv/sculpture/abstract Unit for the wee ones. I know these lessons are nothing new...so I'd love to hear how you approach teaching line. Also, for the sake of space, I may have not answered all of your how-you-teach-that questions, so feel free to email me or leave a comment. I may or may not get back to you. Just sayin'.
